It is cold outside. Or better: it’s freezing. And I don’t like to be cold, nor do I like anything to be cold. Least of all the weather when I have to get up in the morning and go to work. Give me cold, crispy air on a prolonged weekend I can spend in bed. Now that’s my kind of cold. That I can live with. Especially when I can wrap myself in a cozy blanket, have food in bed, enjoy a pot of hot tea and have a pile of films or a new TV show to binge-watch. Of course, I have some favorites but new gems always find a way on my shelves in mysterious ways. So here it is, my list of recommendations for anyone who, like yours truly, is in touch with her inner bear and craves to hibernate in a comfy cave. Don’t give freezer burn a chance and enjoy a good flick instead!
Talkie of the Week: Spellbound
USA 1945, 111 minutes, black & white, United Artists. Director: Alfred Hitchcock, Written by Angus MacPhail and Ben Hecht, Based on the novel The House of Dr. Edwardes by Hilary Saint George Saunders and Francis Beeding. Cast: Ingrid Berman, Gregory Peck, Michael Chekhov, Leo G. Carroll, Rhonda Fleming, John Emery, Steven Geray, Paul Harvey, Donald Curtis, Norman Lloyd, Bill Goodwin, Wallace Ford, Art Baker, Regis Toomey.
Plot summary: When Dr. Edwardes arrives at Green Manors, levelheaded Dr. Petersen is spellbound by the new hospital director who has a secret she is determined to uncover.
Review: Dr. Constance Petersen (Ingrid Bergman) is the sole female doctor at Green Manors, a mental hospital in Vermont. Among her colleagues, she is known as efficient and detached, an image she sheds upon arrival of new hospital director Dr. Edwardes (Gregory Peck). Edwardes is charming but also struggles with a phobia his esteemed colleague finds conspicuous: he gets upset whenever he spots dark, parallel lines on a white background. Despite her ulterior instincts, Dr. Petersen is attracted to the handsome doctor who has a secret she is determined to uncover and thus solve the mystery of his phobia.
Directed by Alfred Hitchcock, Spellbound was produced by David Selznick, a collaboration that didn’t turn out as fruitful as initially intended. For their third common production, Selznick brought in his own psychoanalyst to turn the plot into a puff piece on therapy and celebrate his own positive experiences. Hitchcock, however, known for his independent streak, frequently butted heads with the interfering analyst and hired Salvador Dali to add an intriguing touch of surrealism to his now famous dream sequence. Originally almost twenty minutes long, the scene was eventually cut down by Selznick and has only been available in its edited form since the release of the film in 1945.
Shot as a mystical thriller with a captivating storyline about mental illness, Spellbound was successful upon release. Rewarded with an Academy Ward for Best Score and five additional nominations, the film was popular with movie goers and critics alike, and is still entertaining on DVD and Blu-ray today. Blessed with a suspenseful plot and two haunting leads, the film has what it takes to keep its audience on the edge of their seats and continues to be one of Hitchcock’s mid-career treats.