The Golden Girls

TV classics: The Golden Girls

USA 1985-92, seven seasons, 180 episodes, approximately 30 minutes each, NBC, color. Cast: Bea Arthur, Betty White, Rue McClanahan, Estelle Getty

Plot summary: It can be fun pushing towards retirement, if you share a house with friends and know where to get Miami’s best cheesecake to get over your troubles with family and men.

Review: Cynthia Fee sings Thank You For Being a Friend and the pictures introduce you to a show about friendship, pun and laughter. Bea Arthur is credited first, then Betty White, Rue McClanahan and Estelle Getty. As Dorothy, Rose, Blanche and Sophia, they share a house in Miami, three widows and a divorcée. Dorothy (Bea Arthur) is a teacher whose sarcasm matches her Ma’s (Estelle Getty) sharp tongue when Rose (Betty White) shares her small town wisdom and Blanche (Rue McClanahan) brags about her nightly escapades with men. They butt heads at times, are jealous of each other and sometimes snarky – all in all, however, they are good friends and there is nothing a piece of cheesecake couldn’t mend.

Premiering on September 14, 1985 on NBC, The Golden Girls were an instant hit on television, securing an audience from and beyond the Greatest Generation. With three small screen veterans as leading ladies, the show managed to build up on their previous fame without typecasting them. While Bea Arthur’s character showed certain parallels to Maude, Vivian Harmon and Sue Ann Nivens did not make a reappearance. Although originally auditioning for Blanche Devereaux, Betty White ended up playing naive Rose Nylund from St. Olaf, Minnesota, while Rue McClanahan got to show her playful side as a man-hungry Southern Belle. Blessed with fantastic scripts right from the start and Estelle Getty as TV’s new discovery, the show had a successful run of seven years and addressed many previously untouched topics.

Following Bea Arthur’s departure in the show’s popular finale in 1992, The Golden Girls lived on for another season at The Golden Palace and graced Nurses, as well as Empty Nest (both also created by Susan Harris) with occasional guest appearances. Twenty years after going off the air, The Golden Girls are still dearly remembered by a worldwide audience. Released on DVD and available as individual seasons or a complete boxset, the show still attracts fans across the generations by walking the fine line of entertainment and quality. Rewarded with sixty-five Emmy nominations, the writing and cast was top notch then and remains funny today. In times of reality TV and anything goes, the show is still refreshing and, like Betty White’s popularity, never seems to get old.

The 70s

On the next couple of Fridays I will bring you information about and recommendations from beyond my favorite decades, starting today.

The 1970s

Fashion in the 70s was colorful with patterns that could make you dizzy. Skirts were super long or super short. You had knee-high boots and ethno-chic tunics. Trousers were flared and paired with platform shoes. Popular colors were hippie rich and often psychedelic. A deep rich brown combined with a bright orange and sunny yellow, or a combination of colors that weren’t necessarily easy on the eyes. 1970s fashion was about fun, second wave feminism and comfort. The music world presented ABBA from Sweden and Saturday Night Fever on dance floors worldwide. Glam rock and punk entered the scene, while microwave ovens became more popular in US homes.

On TV, Mary Tyler Moore had her successful debut, as well as The Muppets. Following affirmative action, Woodstock and the relaunch of an arduous gender debate in the 60s, 1970s television was the mirror of a society still heavily entangled in the Vietnam war. M*A*S*H was a direct answer to the pains and fears of an entire generation, inspired by its preceding feature film and novel. Other examples for successful shows from that era are Happy Days, my decade favorite Hart to HartThe Love Boat, or The Waltons with their rather classic entertainment qualities. New family realities and changing structures were picked up on The Brady Bunch, The Odd Couple, The Partridge Family or Three’s Company, the ongoing debate on gender equality on a variety of shows that circled around female leads. Not that TV hadn’t presented women as central heroes before, but the tone had changed and the atmosphere. Charlie’s Angels, Maude, Police Woman or Wonder Woman didn’t have much on Lucy Ricardo, Donna Stone, Samantha Stephens or Susie McNamara. It was a different fabric these “new women” were made of, independent and hard-boiled yet often sexed up. They were supposed to find their way in a man’s world, no matter what, and their wardrobe and wisecracking attitude helped them accomplish that goal.

On the silver screen, gritty, sexed-up, shocking or taboo-breaking was in vogue: The Godfather, The GraduateKramer vs. Kramer, Norma Rae, One Flew Over the Cuckoo’s Nest or Taxi Driver were big hits, as well as the emerging genre of disaster movies kicked off by the adaptation of Alex Haley’s Airport. Personally, I’ve never been a big fan of either one of these films although I have always greatly appreciated each film’s stellar cast. Cabaret or Love Story  are more my cup of tea, along with the surfer movie Big Wednesday for three simple reasons: California, William Katt and his mother Barbara Hale. I guess you can see my priorities.