It is cold outside. Or better: it’s freezing. And I don’t like to be cold, nor do I like anything to be cold. Least of all the weather when I have to get up in the morning and go to work. Give me cold, crispy air on a prolonged weekend I can spend in bed. Now that’s my kind of cold. That I can live with. Especially when I can wrap myself in a cozy blanket, have food in bed, enjoy a pot of hot tea and have a pile of films or a new TV show to binge-watch. Of course, I have some favorites but new gems always find a way on my shelves in mysterious ways. So here it is, my list of recommendations for anyone who, like yours truly, is in touch with her inner bear and craves to hibernate in a comfy cave. Don’t give freezer burn a chance and enjoy a good flick instead!
Ever since Hawaii 5-0 has been rebooted, producers are trying to jump on the bandwagon of remake success. Only most of them don’t make it and fall on their fannies instead. Ironside, Charlie’s Angels and Dallas (which was just recently canceled) are recent examples of a trend that’s not new but feels increasingly overdone.
I know, I know. Battlestar Galactica did fairly well and Matthew Perry may actually surprise us as Oscar Madison in the revival of the Odd Couple. But what do I hear is in the works now for NBC? A Bewitched spin-off focusing on Samantha’s granddaughter? I’m stunned. Didn’t the movie version scar us deeply enough?!
Polly Bergen has died. One of my favorite funny ladies. And a wonderful singer, too.
Here are some of my favorite moments with her: film clips, TV appearances and recordings. In memory of a grand dame, always outspoken, genuine and entertaining.
Life’s been busy and I need some some fun,
Some feel-good music to whistle along.
Dave Brubeck, get your quartet, this is your cue:
Floyd Cramer, you’re up next to boost my mood.
I don’t know about you, but apart from classic TV made in the US, I’ve always enjoyed exploring shows from other countries, predominantly from Australia and New Zealand, Canada, Israel, South America and Europe. Pride & Prejudice made me fall in love with Colin Firth in 1995, Bleak House turned me into a Dickens addict 10 years later and that same year, Slings & Arrows reassured me that my stage experiences were not unique. Some of these international shows have since been made available on DVD, others were remade in the States including The Bridge, The Killing, Hatufim (US: Homeland), Be Tipul (US:In Treatment) , Mistresses and House of Cards.
It’s a matter of personal taste whether or not you like a reboot. In some cases I did not, in others I did. No matter how much I have liked (or disliked) an original show though, the remake often missed a crucial ingredient, something the American version never seems to quite get. It’s not only the appeal of a foreign setting and culture or the sound of a different language, it’s the different approach to storytelling, or better, differing aesthetics. Each year, the market is flooded by American productions with silly or crude characters and storylines that all too often jump the shark. Despite this unfortunate development (unfortunate at least to me, not the industry itself it seems), my heart beats for a good TV series and I’m happy that this up-coming season, two new American productions actually got my attention: Madam Secretary starring Téa Leonie and Matthew Perry’s update of The Odd Couple.
Madam Secretary may fill a gap I’ve longed to fill since The West Wing ended, The Good Wife lost its vibe and The Newsroom did not live up to my expectations. Judging by the first look trailer, this show may be my kind of treat, the kind of show that has the potential follow into the footsteps of my favorite Danish series, Borgen.
Borgen has what a lot of international shows of my liking have in common: a wonderful cast, a smart female character, crafty writers, witty dialogue, intelligent storylines and a distinctive design. For three seasons, Borgen was highly addictive without leaning on the soapy side like Britain’s Downton Abbey. That’s not to say I wouldn’t enjoy ITV’s period drama, Maggie Smith is starring in it after all. But given the choice, I prefer stories without unnecessary malice or personal drama blown out of proportion.
When I heard the news about James Garner’s death, I was unable to make an entry on Talking Classics. However, I was saddened by the news but glad to have come across a good selection of his work since.
He was one of those actors who always entertained me, on television and on the silver screen. I liked him on Maverick and The Rockford Files, loved seeing him in multiple Westerns or quarreling with Doris Day. I enjoyed him alongside Julie Andrews, guest starring on shows such as Chicago Hope or as a regular on 8 Simple Rules. As an old man, he made me smile in Space Cowboys and cry in The Notebook. In interviews, he always came across as a likable human being, as someone who did not take his career for granted or saw himself as the center of the universe. He was married once, for 58 years, an avid sports fan and a veteran of the Korean War. He worked several jobs before he started acting at the age of 25 without formal training but a lot of life experience instead. For his natural talent, he was rewarded with an Academy Award nomination, three Golden Globes and two Emmy awards.
On July 19, James Garner died at the age of 86 in his home in Los Angeles. He will long be remembered for his genuine career as well as his support for the University of Oklahoma – and, thanks to the internet, for the smart and funny things he had to say about it.
For all of you who enjoy movies set in bygone times, films with strong female leads, I bring a list of recommendations. Period dramas I have enjoyed for their wardrobe, décor and cinematic style. Films I like to revisit for their characters and storylines. Films I have enjoyed for their music and cast. Films released in recent years or back in the 1990s.
- Agora, starring Rachel Weisz as Hypatia, a female mathematician, philosopher and astronomer in late 4th-century
- Anna and the King, starring Jodi Foster as Anna Leonowens, an English school teacher in Siam in the late 19th century
- Being Julia, starring Anette Bening as Julia Lambert, a popular actress in London in the late 1930s
- Doubt, starring Meryl Streep and Amy Adams as two nuns in 1960s New York (Bronx)
- Driving Miss Daisy, starring Jessica Tandy as Daisy Werthan, a resolute widow in the 1960-70s
- Enchanted April, starring Miranda Richardson, Polly Walker, Joan Plowright and others as a bunch of English ladies who spent their holidays in Italy in the 1920s
- Fried Green Tomatoes, starring Mary Stuart Masterson and Mary-Louise Parker as two friends who are mastering life in the Great Depression
- The Great Debaters, starring Jurnee Smollett as Samantha Booke, the first female member of her college’s debate team, set in the mid 1930s
- A Little Princess, starring Liesel Matthews as Sara Crewe, a lovely rich girl who loses everything when her father dies in WWI
- Miss Potter, starring Renée Zellweger as Beatrix Potter, the famous writer and creator of Peter Rabbit
- Out of Africa, starring Meryl Streep as Karen Blixen, A Danish lady who emigrates to Africa in the early 20th century
- Paradise Road, starring Glenn Close, Julianna Margulies, Frances McDormand and many others as female POW in Sumatra during WWII
- Tea with Mussolini, starring Joan Plowright, Maggie Smith, Judi Dench, Lily Tomlin and Cher as five expatiates in Italy in the 1930s through 40s
This list, of course, is far from complete. So whatever you miss, please feel invited to share your favorite flick with a strong female lead! 🙂
As a kid, growing up, I always swapped books with my grandma. Together, we devoured Agatha Christie, especially her books with Miss Marple as the clever leading lady. Then, I fell for Perry Mason. With more than ninety published cases, I still haven’t managed to read all of him.The same goes for J.B. Fletcher and the murders she stumbled into in Cabot Cove. Now, a new character has won my heart: Guido Brunetti, the refined and sightly Commissario. Venice, his daily companion, is the distinctive home for his family, his friends and cases. A place more than an attraction swarmed by millions of tourists each year, pestered by oversized cruise ships and aqua alta. A town as unique as Brunetti himself, used by his creator as a main character. Venice, La Serenissima, the trading town crossed by canals and surrounded by water. A decaying beauty built on logs and land. A lagoon and setting that has inspired many authors, from Shakespeare to Thomas Mann. And, for twenty-two years now, also Donna Leon.
It was a streak of luck that brought Brunetti on paper and into our lives as readers. Donna Leon, once an English professor, has lived in Venice for more than a quarter century. Her passion for literature, opera and Venezia jumps out on every page of her bestselling novels now available in many languages but Italian (upon the author’s insistence). She never expected to write more than one, a crime novel set in Venice with a character she genuinely liked. Twenty-three books later, she’s now a grande dame of mystery and crime. A writer whose protagonists are erudite, sophisticated and often angry at the world and its crimes. It is an intoxicating mix for anyone who enjoys authenticity and reliable characters, for anyone who has a heart for history and critical thinking. Brunetti’s cases are never as grim and gloomy as many Scandinavian novels, but neither are they la dolce vita and cotton candy. For anyone who likes a descriptive style, Italian food and a dash of philosophy, Leon’s books are the perfect pastime told in a pleasant pace. But be warned, once you’ve picked up the first volume, you may never want spend another day without Brunetti and his Venetian life.
Hungry now for more on Donna Leon?! Follow the links below to dive into her world.
It has been a while, ladies and gents. Life has kept me busy and given me a good shake. My day job, eventually, did the rest. That’s how it goes and suddenly, months have passed without a decent celebration of vintage love. Je vous en prie, pardonnez-moi!
So, if you’Il still have me, I report back to you with a gem I recently stumbled upon on TV5: Le Grand Méliès, a biography of the French filmmaker last paid tribute to by Martin Scorsese in his adaptation of Brian Selznick’s novel The Invention of Hugo Cabret.
For anyone who’s not familiar with Georges Méliès, his work and influence on film history, this short biographical film is the perfect introduction to the world of a true pioneer of cinematic art. Made in 1952, the film features Méliès’ son André and Jeanne d’Alcy, his second wife, whose contribution adds artistic credibility to an already insightful project. Although simplistic in style, the half-hour homage celebrates Méliès for his illusionary talent and practical know-how. It is a wonderful obituary on the world’s first director, a man whose power of imagination still has what it takes to bewitch a whole new generation of film enthusiasts and makers.
Talkie of the Week: Disney Series
USA 1964, 139 minutes, Technicolor, Walt Disney Productions, Distributed by Buena Vista Distribution. Based on Mary Poppins by P.L. Travers. Screenplay by Bill Walsh and Don DaGradi, Directed by: Robert Stevenson. Cast: Julie Andrews, Dick Van Dyke, David Tomlinson, Glynis Johns, Karen Dotrice, Matthew Garber, Hermione Baddeley, Reta Shaw, Reginald Owen, Don Barclay, Arthur Treacher, Elsa Lanchester, Marjorie Bennett, Arthur Malet, Ed Wynn, Jane Darwell.
Plot summary: Mary Poppins is the kind of nanny every child dreams of. She‘s lovely, adventurous and full of magic, or simply supercalifragilisticexpialidocious.
Review: Who does not know her, Mary Poppins, the bewitching nanny played by Julie Andrews? Arriving with the changing wind, she knows how to make a big entrance in the lives of the Banks family at a time when they need her most. The children of the household, Jane and Michael, have made a habit out of swapping personnel. They do not wish to be handled by stiff-lipped elders, they want to explore the world instead. Mary Poppins, upon arrival, seems to be just another dragon in disguise, another grown-up determined to take the fun out of their lives. However, when she slides up the stairs and opens her bag full of wondrous magic, Jane and Michael change their mind. They open their heart to the new nanny, a lady who believes in following the rules as much as bending them. Before she appeared, from heaven or out of thin air, chores and duty killed every ounce of joy in them, but with Mary, even the dullest of tasks turns into an adventure for the Banks offspring and ultimately also for their parents.
Rewarded with an Academy Award for her performance, Julie Andrews breathed life into a character who turned childhood longings into reality. Based on P.L. Travers’ first book, the silver screen version of Mary Poppins was dulcified, her story abridged to fit into 139 minutes of live action entertainment interwoven with musical numbers and animated sequences. Versatile, stage-tested and equipped with a genuinely clear voice, the Ms. Andrews gave her silver screen debut in Disney‘s masterpiece adaptation and proved she was the perfect choice for her first Hollywood alter ego. Although previously trumped by Audrey Hepburn for the screen version of My Fair Lady, Andrews was rewarded with the biggest laurels of industry success and thus extended her career from stage to film. Timeless in quality and style, Mary Poppins has since remained one of Julie Andrews’ most memorable films, a Disney classic children love to revisit as much as adults.
An instant success upon release in 1964, the film was re-released in 1973 and rerun on television on a regular basis. Also made available on home video and DVD, Mary Poppins has managed to stay entertaining and fresh over the duration of five decades. On December 10, 2013, the motion picture has now also been announced to be released on Blu-ray as a 50th Anniversary Edition, another milestone in the history of a film that still enchants my heart and always revives my belief in the power of imagination.