Leave it to Beaver

TV classics: Leave it to Beaver

USA 1957-63, six seasons, 235 episodes, 30 minutes each, CBS / ABC, black & white. Cast: Jerry Mathers, Barbara Billingsley, Hugh Beaumont and Tony Dow.

Plot summary: If there’s trouble, trust the Beaver to get into it and fast.

leaveittobeaveronlineReview: There are a couple of TV shows that stay with us like fond memories of a better past. It doesn’t matter if everything was really better, they make us feel it was, instilling in us a sentiment of nostalgia and warmth. The word nostalgia may be misleading because it often triggers a certain aftertaste for those who dislike the word for its supposed backwardness. For me, it rather stands for a tristful feeling, a longing for something some of us remember we once had.

Leaver it to Beaver is one of those shows, sparking memories of the charm and simplicity of bygone childhood days. As the first show to look at life from a child’s perspective, it probably doesn’t come as a surprise to feel that way. I may have been a girl, all dressed up in fancy dresses and patent leather shoes, but I still relate to the Beaver and the way he reacted. Watching his adventures today reminds me of my own mishaps and questions, of long summers, home-cooked family meals and playing outside.

Based on real children, their speech patterns, games and little white lies, the show was playfully realistic when it first went on the air in 1957 and remains like a time capsule, a document of a different age for children and parents alike. I wonder how children feel about this classic show today? How many still grow up as lighthearted as Beaver, with such loving parents who allow them to explore the neighborhood with their siblings or friends? Of course, Barbara Billings portrayed the epitomized mother and housewife, supported by Hugh Beaumont as an ever exerted father – no real parent can hold a candle to an image like that. But isn’t it that exact cocoon of love and goodness the show created that still resonates today? Could it be that we long for gentler answers to problems a lot of parents are still facing these days?

In thirty minute installments, Leave it to Beaver seems to have the answers to those questions, to our longing for a quieter life. With the complete six seasons available on DVD, thirty-nine episodes each, we can revisit the past at least for a little while and pass it on to the next generation.

Leave it to Beaver sample episode: season 1, episode 1

America in Primetime

In 2011, PBS presented America in Primetime, a documentary in four parts about the history of television. Focusing on the evolution of the Independent Woman, the Man of the House, the Misfit and Crusader, each episodes offered a look back at the beginning of mainstream television in the 1950s until today. Blessed with a great variety of popular interviewees, America in Primetime was an ambitious project with names such as Dick Van Dyke, Mary Tyler Moore, Ron Howard, David Lynch and Shonda Rhimes attached to it. Unfortunately however, the series did not live up to its potential and rarely offered controversy about contemporary perception. For years, it’s been in vogue to bash the 50s and idealize the 1960 and 70s, for example, but from the announcement of this PBS production I had expected otherwise.

It’s always easy to look at a bygone era with modern eyes without looking underneath the surface. But no matter how much I am personally tickled by Lucille Ball, the 1950s had more to offer than just I Love Lucy, The Donna Reed Show and Leave it to Beaver. I was surprised, to say the least, when I didn’t hear a mention of Betty White and her already flourishing career and bewildered, like so often, when Mary Richards was called the first single working girl on television. Whatever happened to Connie Brooks and Della Street? After all, not every female character (despite their feminine appeal) was “just” a housewife, a job many (post-)feminists still seem to wrestle with.

Male characters of that era weren’t appraised more adequately either. I mean, Ralph Kramden may have been a prototype for characters like Fred Flintstone or Homer Simpson, but he was already a caricature back in his time and not just a regular guy. Jim Anderson from Father Knows Best, as another popular example, was also more flawed than critics often depict him today. His wholesome attitude and simple answers may have fostered the image of the omnipotent father, but only on the surface – he was wrong too often with his fatherly assessments to call him a picture perfect patriarch.

But America in Primetime doesn’t like to dig deeper and rather creates an odd summary of female liberation (and correlated emasculation of male role models) on TV. Murphy Brown, Sex and the City and Grey’s Anatomy serve as notable examples along with The Good Wife‘s Kalinda Sharma. Positive role models such as The Cosby Show‘s Clair Huxtable, Maggie Seaver from Growing Pains, Designing Women or The Golden Girls don’t even get a mention and I wonder if it’s their grace and domesticity or their love for men that interferes with the desired image of women who favor their careers over everything else.

All in all, America in Primetime – like other documentaries before – celebrates the evolution of television from the simple, archaic days of the 1950s to a supposed golden age of the 2000s (predominantly on pay TV). By celebrating the creation of broken and disturbed characters whose complexity supports the audience’s alleged desire for drama and realism, the program may appeal to anyone who enjoys shows like Nurse Jackie, The Sopranos, Mad Men or Breaking Bad. For anyone who prefers dignity, subtlety and moderation in storytelling, the documentary may draw the wrong conclusions about a bygone era and leave a taste of bias in your mouth. Personally, I was dissatisfied with the fragmented glimpse into TV history and the overwhelming number of present-day TV makers as a primary interview source. But with my fondness for vintage that may not come as a surprise.