Screen Couples

We all know them: the Stoneses, the Andersons or the Stephenses. For some, they may be a guilty pleasure, for others a mere necessity to get a story told. For me, they are the cherry on top of any tale: fictional couples and their personal stories. On the fringes of drama, comedy and mayhem, romantic innuendo has always been my favorite treat. From Date with the Angels and Family Ties to Murder She Wrote or Babylon 5, I have a weakness for double entendre paired with a healthy sense of humor, smarts and mutual respect.

Della and Perry1) Perry Mason and Della Street, for example, have been my favorite couple for more years than I care to admit. On paper, radio and screen, the lawyer and his secretary know how to put a smile on my face. Committed to their work as much as to each other, the true nature of their relationship has always remained a mystery. For some fans, they are the best of friends while others suspect some hanky-panky behind closed doors. For me, they have long been married, the epitomized working couple who combines independence with traditional values. And that’s the beauty of those characters and their story. They ignite your imagination and tease you to the point of sizzling frustration with a simple look, remark or smitten smile. It is a tradition Erle Stanley Gardner himself started in The Velvet Claws in 1933 and lasted until 1994 when the last Perry Mason TV movie aired on NBC. Perfected by its signature cast, Raymond Burr and Barbara Hale, Perry and Della have since lived on in the hearts of many fans, the flame of their romance burning more and more brightly towards the series’ end.

Jennifer&Jonathan2) The second couple I have loved for as long as I can remember are Jennifer and Jonathan Hart. Sophisticated, rich and charming, the Harts had everything including a mutually executed interest in solving mysteries. Following in the footsteps of TV’s Mr. and Mrs. North, they dug up trouble where it’s usually hard to find but their love for each other made their cases stand out from others. Together, they were invincible and (much like Della and Perry) have stood the test of time. A mere decade after Hart to Hart was canceled on ABC, the couple returned to television in 1993, matured, refined, and every bit as committed to each other as they had always been. Today, the Harts are still a dream couple for their fans, a twosome who showed their audience the ingredients of true love and how it beautiful life can be even if you are denied to have your desired offspring.

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The Edge of Night

TV classics

USA 1956-84,  7,420 episodes, approximately 30 minutes each, CBS and ABC, black & white and color. Sponsored by Procter & Gamble. Created by Irving Vendig. Announced by Bob Dixon, Herbert Duncan and Harry Kramer Cast: John Larkin, Teal Ames, Ann Flood, Laurence Hugo, Forrest Compton, Lois Kibbee and many others.

Plot summary: In Monticello, life is an endless cycle of personal drama, occasional laughter and crime.

Edge56Review: It is the dream of any author to create a character who resonates with a growing audience. As common as this dream may be, it rarely becomes reality. For Erle Stanley Gardner, that dream came true. The character he introduced in 1933 took America by storm: Perry Mason, the attorney who never loses a case. Accompanied by two faithful companions, Della Street and Paul Drake, Gardner’s hero soon tried his cases on paper and screen. First adapted for a movie audience in the 1930s, Perry Mason became truly successful on CBS Radio in 1943. Presented as a daily broadcast, the show was destined to also try its luck on television. Although originally endorsed by Erle Stanley Gardner, the program was ultimately created by Irving Vendig, the mastermind behind Mason’s radio success and renamed The Edge of Night. Following up on twelve years on radio, the television show was presented in daily cliffhanger installments which remained true to their roots of drama and crime. Only loosely based on Gardner’s original concept, The Edge of Night introduced Mike Karr as its central crime-fighting character who was supported by his love interest Sara Lane. Designed as a soap opera, the show was broadcast live on CBS from 1956 until its cancellation in 1975. It was then picked up on ABC for another nine years where it finally ended in 1984 without ever becoming untrue to its open end narrative.

As one of the first two half hour dailies of its genre it may be astonishing to hear that The Edge of Night first drew in a large male audience. At second glance, however, the afternoon time slot as well as the whodunit format are explanation enough. Although first perceived as TV’s daytime Perry Mason, the show soon grew into its own and attracted viewers from all backgrounds and age groups. Set in the fictional town of Monticello, the program did not focus on a single family or institution but rather on the entangled lives of a populace somewhere in the Midwest. John Larkin starred as one of the narrative connectors, an actor then still widely identified as the voice of CBS Radio’s Perry Mason. His Mike Karr was joined by Teal Ames as Sara Lane who met with a tragic and untimely death in 1961. Larkin himself was replaced by Laurence Hugo in 1962 who was then succeeded by Forrest Compton for the remainder of the show’s run. Not uncommon for its genre, The Edge of Night underwent many such character deaths and cast changes in its twenty-eight years on the air, none of which resulted in a fatal decline in ratings. What led to a drop in approval, however, was the unfortunate combination of network policy and Procter & Gambles’ influence on time slot changes.

Today, only a fourth of the original 7,400 episodes are available for syndication. Due to an unfortunate habit of erasing classic recordings, especially the early black and white episodes are a rare treat. For anyone who is familiar with the Perry Mason radio program from the 1940s and 50s, the quality of those few preserved episodes serves as a beautiful continuation of the suspense of once live recorded material. For soap opera fans, the show is also a true classic that deserves to be revisited where possible. Treat yourself to an early episode of The Edge of Night here, Tide commercials, announcer and original score included for the real experience.

The Perry Mason Radio Show

In 1943, after having published some twenty odd successful whodunits, Erle Stanley Gardner signed a contract with Procter & Gamble to bring his fictional lawyer and his team to America’s living rooms. Although scarred by his experiences with Hollywood and Warner Bros’ six reluctantly successful screen adaptations, he agreed to broadcast Perry Mason as an afternoon program to entertain his target group and thus promote his books. Despite Gardner’s own deficiencies to turn his narratives into suspenseful scripts, Perry Mason premiered in the fall of 1943 and underwent several revisions until the author finally came to like the radio version of his famous character three years later. Improved by writer Irving Vendig in 1946, Perry Mason was brought to life by several actors, among them Donald Briggs, John Larkin, SanotsJohn Larkin & Joan Alexander Ortega and Bartlett Robinson. They presented a sophisticated, multifaceted lawyer who was in the habit of defending friends and enjoyed good food. He was supported by an ever-loyal and savvy Della Street, played by Joan Alexander, Jan Miner an Gertrude Warner. Their relationship, like in the books, remained a riddle: close-knit and intimate, yet respectful and professional, they shared a kiss more than once. Paul Drake, the smart-mouthed, brisk detective, was played by Matt Crowley and Charles Webster. Always kept on his toes by Perry’s cases and eager to banter with Della, he was an important ingredient to the slowly blooming success of a soapy yet suspenseful show. Broadcast five days a week in fifteen minute segments, Perry Mason solved his cases with the help of recurring guest characters such as Helen and Jake Jacobson, two news reporters who helped fool suspects or the prosecution more than once. Designed as a suspense program with melodramatic elements, the show lasted twelve consecutive seasons and was finally terminated in 1955. Followed by the still popular Perry Mason TV show (CBS 1957-66, NBC 1985-95) and The Edge of Night (CBS 1956-75, ABC 1975-84), selected episodes of the Perry Mason radio program are now available on The Internet Archive and Old Time Radio. Although incomplete and rather different in quality, the episodes are a wonderful treat for any Perry Mason fan, novice or seasoned, and a great addition to any radio detective collection.

The Case of the Stuttering Bishop

Talkie of the Week: The Case of the Stuttering Bishop

USA 1937, 70 minutes, black & white, Warner Bros. Director: William Clemens, Written by Kenneth Gamet and Don Ryan, Based on The Case of the Stuttering Bishop by Erle Stanley Gardner. Cast: Donald Woods, Ann Dvorak, Anne Nagel, Linda Perry, Craig Reynolds, Gordon Oliver, Joseph Crehan, Helen MacKellar, Edward McWade, Tom Kennedy, Mira McKinney, Frank Faylen, Douglas Wood, Veda Ann Borg, George Lloyd, Selmer Jackson and Charles Wilson.

Plot summary: Perry Mason gets involved in a case of identity theft and ends up defending the possible heir to a murder victim’s fortune.

TCOT Stuttering Bisop 1937Review: As the sixth and last adaptation of Erle Stanley Gardner’s popular whodunits, Warner Brothers released The Case of the Stuttering Bishop in 1937 with Donald Woods as famed lawyer Perry Mason and Ann Dvorak as his faithful girl Friday Della Street. Based on Gardner’s ninth book, the film tried to turn a difficult plot into seventy minutes of entertaining noir, unfortunately another failed attempt at the box office. For Mason fans, the film may now be a gem to complete their collection, for a general audience, however, the film did not manage to live up to Gardner’s original story.

Although blessed with Donald Woods as yet another Mason, the film, once again, lacked the enticing chemistry between Perry and and his savvy secretary, an element the radio and TV show would get down to a T in the 1940s through 60s. Ann Dvorak, despite her decent lines, brief (book-inspired) action scene and physical presence, did not manage to shine as Della Street and Joseph Crehan did not get enough screen time to actually flesh out another pivotal character from the original books, private detective Paul Drake. Charles Wilson, though, as district attorney Hamilton Burger, met the rather unlikeable persona from Gardner’s novels and Edward McWade was a charming stuttering bishop Mallory. Together, they made the film an enjoyable hour of entertainment without living up to the story’s full potential.

Despite my bias for Raymond Burr, Barbara Hale and their smash hit show from the 50s and 60s, I must admit, however, that Donald Woods did a fine job at breathing life into his very own Perry Mason. Of all the adaptations from the 1930s, The Case of the Stuttering Bishop may even qualify as my favorite, although each of the six films had its beauty and strengths. As a Mason fan, I’m grateful either way for Warner’s decision to release all of the first Mason films in one boxset on DVD – it sure made the best early Christmas gift I gave myself this year.

The Case of the Black Cat

Talkie of the Week: The Case of the Black Cat

USA 1936, 66 minutes, black & white, Warner Bros. Director: William C. McGann, Written by F. Hugh Herbert, Based on The Case of the Caretaker’s Cat by Erle Stanley Gardner. Cast: Ricardo Cortez, June Travis, Jane Bryan, Craig Reynolds, Carlyle Moore Jr., Gordon Elliot, Nedda Harrigan, Garry Owen, Harry Davenport, George Rosener, Gordon Hart, Clarence Wilson, Guy Usher, Lottie Williams and Harry Hayden.

Plot summary: When Peter Laxter calls Perry Mason to change his will in order to test the loyalty of his granddaughter’s fiancé, his actions result in a series of sudden deaths the prosecution investigates as murders.

Review: Following four silver screenTCOT Black Catadaptations with Warren William starring as Perry Mason, Warner Brothers took another shot at success in 1936 by releasing The Case of the Black Cat based on Erle Stanley Gardner’s seventh whodunit, The Case of the Caretaker’s Cat. Introducing Ricardo Cortez as the famous attorney-at-law and June Travis as his irreplaceable Della Street, that new production did not follow up on previously disappointing attempts of turning Mason into a Nick Charles but rather tried to soak up the essence of Gardner’s original novel. Featuring Garry Owen as private eye Paul Drake, an important asset to Mason’s law practice, and Guy Usher as district attorney Hamilton Burger, The Case of the Black Cat was suspenseful and noir right from the start. What the film lacked, however, was that kind of enticing chemistry between the story’s main characters, an ingredient Raymond Burr, Barbara Hale, Bill Hopper (as well as William Talman and Ray Collins) would so easily create on the small screen two decades later.

Although hard to compare to the smashing TV show of the 1950s and 60s, this adaptation from 1936 already took a step into the right direction. Regardless of his excellent performance skills and gentlemanly quality, Warren William did not get to leave a lasting mark as Perry Mason and unfortunately, nor did Ricardo Cortez with his one-time chance at proving himself. June Travis, as the fourth actress to breathe life into Mason’s skillful girl Friday, also didn’t make a big enough difference to win the hearts of Gardner’s fans. Just like her predecessors, she was pretty and useful but never as distinctive as the character in the original books.

In general, The Case of the Black Cat offered a calmer version of Gardner’s crafty lawyer, especially when compared to the screwball-induced The Case of the Lucky Legs and The Velvet Claws, the improved take on the novels still did not stand out enough, however, to attract a larger audience. Today, The Case of the Black Cat is a great little film for anyone who loves Perry Mason. Although for most, Raymond Burr will always be the perfect Perry and Barbara Hale his unrivaled Della, this film is a great example of how Hollywood has always tried to tell stories the audience has already embraced. It is also a treat for anyone who is enamored with the 1930s, the slang, movies and fashion of those troubled days.

Available on the Perry Mason Mysteries DVD boxset.

Fetch Your Reading Glasses

It’s summer time, so I’m outside reading. My favorite season always affects the amounts of books I’m enjoying, for pleasure or research, doesn’t matter – in the end, I always enjoy even the most tiring topic. So, call me a book worm, but here are ten  recommendations for those of you who share my favorite summer pastime on the beach, in your garden, on the front porch or your balcony. I could list a ton more but I’m trying to practice moderation. So here they are, my ten picks – I hope you’ll find something to enjoy:

Fiction:

Non-Fiction:

Della Street

Everyone who knows me is aware of this: I’m a big fan of Della Street. I have been for many years, ever since I was a kid and watched the Perry Mason TV movies until my grandma introduced me to the original show from the 1950s and 60s. That’s when I liked her even more, for her skills, her style, her elegance. She’s the epitomized girl Friday who was brought to life by Helen Trenholme, Claire Dodd, Genevieve Tobin, June Travis and Ann Dvorak in the 1930s, by Gertrude Warner, Jan Miner and Joan Alexander from the mid 40s to 50s, and ultimately by my favorite, Barbara Hale, in the classic TV show and movies.

Created by Erle Stanley Gardner in 1933, Della Street entered the scene along with her famous boss, attorney-at-law Perry Mason in The Case of the Velvet Claws. Included from the first novel on, Della was a little feistier upon introduction, but every bit as skillful and loyal as in the following eighty-one whodunits. It was made clear from the start that Della had quite an influence on Perry, that their relationship ran a little deeper than that of an employer and his confidential secretary. Always supported by their friend, private eye Paul Drake, their cases took center stage however and the couple never went beyond an ardent kiss. Proposing to her a couple of times, Perry Mason was generally turned down by his irreplaceable office pearl  who understood that he wasn’t the type to settle down, nor was she willing to spend her life without him in a large home as a housewife and mother. So she stuck it out with him through hundreds of cases in the books and movies, on radio and finally on TV.

Always a little altered in the adaptations, Della remained steadfast, pretty and faithful to her boss and got marry to him once in Warner Brother’s very free version of The Case of the Velvet Claws in 1936. In general, Della Street was quite sassy in the Perry Mason films of the 1930s and frequently involved in taking flight from the police on radio a decade later. With television being a more conservative medium in the late 1950s, Barbara Hale did not get to flirt with Raymond Burr’s Perry as much as her predecessors, but thanks to their on screen chemistry and her intuitive acting, the seething romance between Della and Perry continued in the hearts and heads of many Perry Mason fans until a kiss in 1993′s The Case of the Telltale Talk Show Host finally confirmed their relationship.

Never described as anything but beautiful in Gardner’s original books, Della Street donned platinum hair and brunette curls, as well as alluring outfits that were appropriate for the office. As the Della Street who’s left a lasting impression on her audience, Barbara Hale wore outfits that were typical of the time between 1957 and 66: figure-hugging, feminine and always covering her knees. Upon the insistence of executive producer Gail Patrick Jackson, Della did not follow every trend when the 60s introduced new hemlines every year and thus stressed the classy elegance Ms. Hale had established for her TV alias. With her limited collection of clothes, Della often changed her outfits by combining her blouse or sweater with another skirt. Her trademark look can be pinned down to waist shirt dresses (including one with her embroidered initials), pencil skirts, cardigans and blouses that embellished her neck with a bow. In the first season, Della was also constantly running around on mules which she later replaced with a classy pair of heels. As an accessory, Della often wore a pearl necklace or a charm bracelet on her left wrist while her little finger frequently showed the presence of a simple ring, matching her boss’ on his own hand. From time to time, Della was also seen wearing a necklace with a pendant showing her initials, long before Carrie Bradshaw made it fashionable for a whole new generation.

In the 1980s, Barbara Hale returned to TV with her longtime screen partner Raymond Burr and continued the tradition of presenting Della as efficient, warmhearted and dressed to the nines. Again, following contemporary but conservative fashion, Della combined over-knee skirts with stylish boots, turtleneck sweaters, blazer jackets and two layers of pearls. Without changing her hair as much as on the original show (while avoiding the beehive), Della Street kept her cropped, practical curls which added credibility to the on-screen depiction of Perry Mason’s tireless associate.

Today, Della’s look can be re-examined on DVD and copied thanks to the many vintage stores and new designs that are inspired by more graceful times. With a circle skirt and scarf, a classy faux vintage suit or classy heels, it’s easy to feel as sophisticated and charming as Della Street. Add a full head of curls, matching intimates and a petticoat to your outfit and you’ll perfect the sentiment. From where I’m standing it is worth the effort, paying tribute to a character many real life secretaries still love to look at for inspiration.

Perry Mason TV Movies

TV classics: Perry Mason TV movies

USA 1985-95, 30 episodes, 90 minutes each, NBC. Based on Erle Stanley Gardner’s Perry Mason novels and the Perry Mason TV series. Cast: Raymond Burr, Barbara Hale, William Katt, William R. Moses, Recurring Guest Stars: James McEachin, David Odgen Stiers, Guest Stars: Barbara Babcock, Scott Baio, Polly Bergen, Gene Barry, Angela Bassett, Shari Belafonte, Tom Bosley, Diahann Carroll, Dixie Carter, Morgan Fairchild, Genie Francis, Robert Guillaume, Hal Holbrook, Brian Keith, Diana Muldaur, Patrick O’Neil, Regis Philbin, Davis Rasche, Debbie Reynolds, John Rhys-Davies, Jerry Orbach, Anne Schedeen, Dwight Schultz, Jean Simmons, Paul Sorvino, John Spencer, Susan Sullivan, Holland Taylor, Alan Thicke, Vanessa Williams et al.

Plot summary: Perry Mason returns to Los Angeles to defend his former secretary Della Street and opens up shop with her again after he gets her acquitted.

Review: It was nineteen years after the last episode of the original Perry Mason series that the famous lawyer gone judge reunited with his loyal secretary in Perry Mason Returns: facing murder charges in L.A., Della Street calls her former boss who steps down from his duties in San Francisco to rush to her aid like he used to when a damsel was in distress back in the days. Fitting right back in with Della who easily switches into her secretarial mode during her own trial, Perry immerses himself in saving his friend and contacts Paul Drake Jr. to get on the case. Skeptical about Junior’s attitude at first, he hires young Paul upon his client’s request and asks him to investigate the murder victim and his family. Like in the classic show,  justice prevails in the end and Perry wins his case with his usual theatrics and courtroom charm.

Although Raymond Burr and Barbara Hale were the only members of the original Mason cast who were able to reprise their iconic parts in 1985, the fate of their characters’ friends remained open. Paul Drake Jr.’s existence was never explained in the nine episodes William Katt played the charismatic detective, but it was clear that he had grown up in the presence of Perry and Della. Profiting from his natural chemistry with his mother Barbara Hale, Billy Katt added a spark of energy to the rejuvenated investigation scenes, reminding fans of Bill Hopper’s original Paul Drake whenever he started flirting with the ladies. In 1989, he was replaced by William R. Moses as Ken Malansky, a young lawyer Perry defends and later takes in as his associate. Ray Burr and his longtime leading lady picked up where they had left off at the end of the Perry Mason series in 1966. As experienced performers in their golden sixties, they returned to their congenial dynamic and used their sparkle to remind the audience of the lingering attraction between Perry Mason and Della Street. Although never openly expressed on the original show but always sizzling in the air, the famous lawyer finally got to kiss his loyal secretary in 1993, confirming the romance Erle Stanley Gardner himself had established in his early Mason novels.

In general, the TV movies gave Della and Perry more time for having a private life, as well as a past. Although still underused as faithful Miss Street, Barbara Hale got more screen time in most of the ninety minute episodes which were produced on an irregular basis. Moving production to Denver to cut down the costs, Perry Mason eventually moved his practice to the Colorado capital, too, which didn’t stop him from traveling to New York or Paris, something he had rarely done on the original show.

Successful from the first reunion movie on, the re-imagined franchise lasted another ten years and welcomed a variety of top notch guest stars who were eager to be on the stand for Perry Mason. Some of these stars were former colleagues of Raymond Burr or Barbara Hale, others merely impressed by the TV lawyer and his suspenseful cases. There were two actors who stepped into Perry Mason’s shoes without impersonating him after Raymond Burr’s untimely death in 1993 – Paul Sorvino and Hal Holbrook. Both played lawyers who replaced Perry on a case while he was busy otherwise in the Perry Mason Mysteries. Perry Mason himself never died and was ultimately entangled in court in Europe where Della joined him when Barbara Hale bowed out of her contract for personal reasons in 1994. The series ended with her departure and the movies are still frequently shown on different channels. Perry Mason Returns was published on the 50th Anniversary of Perry Mason DVD in 2008 and with the original show still being released in its entirety, fan hopes are high that the complete movie collection will also be available eventually.

The Perry Mason TV movies:

  • Perry Mason Returns (1985)
  • The Case of the Notorious Nun (1986)
  • The Case of the Shooting Star (1986)
  • The Case of the Lost Love (1987)
  • The Case of the Sinister Spirit (1987)
  • The Case of the Murdered Madam (1987)
  • The Case of the Scandalous Scoundrel (1987)
  • The Case of the Avenging Ace (1988)
  • The Case of the Lady in the Lake (1988)
  • The Case of the Lethal Lesson (1989)
  • The Case of the Musical Murder (1989)
  • The Case of the All-Star Assassin (1989)
  • The Case of the Poisoned Pen (1990)
  • The Case of the Desperate Deception (1990)
  • The Case of the Silenced Singer (1990)
  • The Case of the Defiant Daughter (1990)
  • The Case of the Ruthless Reporter (1991)
  • The Case of the Maligned Mobster (1991)
  • The Case of the Glass Coffin (1991)
  • The Case of the Fatal Fashion (1991)
  • The Case of the Fatal Framing (1992)
  • The Case of the Reckless Romeo (1992)
  • The Case of the Heartbroken Bride (1992)
  • The Case of the Skin-Deep Scandal (1993)
  • The Case of the Telltale Talk Show Host (1993)
  • The Case of the Killer Kiss (1993)

The Perry Mason Mysteries:

  • The Case of the Wicked Wives (1993), starring Paul Sorvino as Anthony Caruso
  • The Case of the Lethal Lifestyle (1994), starring Hal Holbrook as “Wild Bill” McKenzie
  • The Case of the Grimacing Governor (1994), again starring Holbrook in the same role
  • The Case of the Jealous Jokester (1995), again starring Holbrook

The Case of the Velvet Claws

Talkie of the Week: The Case of the Velvet Claws

USA 1936, 63 minutes, black & white, Warner Bros.. Director: William Clemens, Written by Tom Reed, Based on the novel Perry Mason and the Case of the Velvet Claws by Erle Stanley Gardner. Cast: Warren William, Claire Dodd, Wini Shaw, Bill Elliott, Joe King, Addison Richards, Eddie Acuff, Olin Howland, Dick Purcell, Kenneth Harlan, Clara Blandick

Plot summary: Perry Mason is getting married to Della Street and lays off his honeymoon to solve a case of a scheming young woman.

Review: In The Case of the Velvet Claws, Warren Williams returned to the screen as successful attorney Perry Mason, spiced up and almost goofy, adding some comic relief to an otherwise obscure story. Reduced to a screwball comedian in his fourth and last performance as shyster Mason, he was teamed up with the Della Street from his second movie, The Case of the Curious Bride, Claire Dodd. Feeding off their on screen chemistry, Della became Mrs. Mason right in the beginning of this adaptation and then invisible, for the most part, diminished to being a bystander rather than the always so loyal and efficient secretary. Although based on the flirtations between Della and Perry in the original books, the movie did not manage to make the story work as it should have. Unfortunately I might add, because the idea answered the romantic hopes of many fans before it reminded them why, in the novels, Della never went beyond an ardent kiss with her lawyer boss.

For the fourth Perry Mason adaptation, Warner Bros. picked the first novel that introduced the famous lawyer and his secretary. Although using the title and general theme of the original book, the movie did not have much in common with Gardner’s fast-paced plot. His Eva Belter was a much bigger challenge to Perry Mason and Della Street showed a lot more edge. Although it’s always hard to translate a written story into a moving picture, this attempt did not even seem to try to resemble the original text. It is rather a reflection of its day and age as the studio was still trying to copy the success of The Thin Man series.

The Case of the Velvet Claws has not much on the famous TV show of the 1950s and 60s either, apart from an always brilliant Warren William. It is unfortunate that he didn’t get a chance to shine as much as in his first Mason endeavor, but for true fans of the character(s), this movie is still a worthwhile addition to their collection.

Available online.

The Case of the Curious Bride

Talkie of the Week: The Case of the Curious Bride

USA 1935, 80 minutes, black & white, Warner Bros.. Director: Michael Curtiz, Written by Tom Reed with additional dialog by Brown Holmes, Based on the novel Perry Mason and the Case of the Curious Bride by Erle Stanley Gardner. Cast: Warren William, Claire Dodd, Allen Jenkins, Margaret Lindsay, Donald Woods, Phillip Reed, Barton MacLane, Wini Shaw, Warren Hymer, Olin Howland, Charles Richman, Errol Flynn

Plot summary: Perry Mason is about to head off to China when he’s approached by an old lady friend of his who charms him into postponing his trip by neglecting a beaded purse that contains a gun.

Review: The Case of the Curious Bride was the second adaptation out of four Warner Bros. produced with Warren William as Erle Stanley Gardner’s famous lawyer Perry Mason. After a rather straightforward first adaptation of The Case of the Howling Dog, the second Perry Mason was spiced up with comedic elements and a platinum blond Della Street, dipping into the waters of box office sensation The Thin Man.

Although losing some of the original tone of the novel, The Case of the Curious Bride did not fail to introduce Mason’s favorite private eye Paul Drake. Renamed Spudsy to fit the lighthearted atmosphere of the detective flick, his role is a lot less feasible than in the book but entertaining nonetheless. Della Street, although not spoiled with too much screen time, was turned into a private secretary of sorts, one who never failed to insinuate that Perry only believed to be the boss.Her interaction with Perry is naturally quick-witted and hilarious at times, right down to the always included touch of romance.

All in all, The Case of the Curious Bride is a good eighty minutes of suspense, laughs and clever dialog. Warren William is a wonderful Perry Mason, gentlemanly, clever and quick on his toes. Claire Dodd is his darling girl Friday, reliable in her deliveries and a great joy to watch. If you’re looking for a light movie to make you smile, this 1930s Perry Mason will do the trick. Just don’t expect a complete realization of Gardner’s novel. It’s fair to say this adaptation is an interpretation of it and you either enjoy a decent cast of actors (including Errol Flynn) and an upbeat plot, or you don’t. But give it a chance. I am a big fan of the Perry Mason of the 1950s, and I greatly enjoyed this flick.

Available online.