Custer

TV classics: aka The Legend of Custer

USA 1967, one season, 17 episodes, approximately 50 minutes each, ABC, color. Cast: Wayne Maunder, Slim Pickens, Michael Dante, Robert F. Simon, Peter Palmer.

Plot summary: After the Civil War, Lieutenant Colonel Custer takes command of the 7th Cavalry, a group of misfits, criminals and ex-Confederates at Fort Riley, Kansas.

220px-Wayne_Maunder_Custer_1967Review: In the late 1960s, one of America’s most popular genres slowly began saying farewell to television in its traditional form. Often considered too rough, Westerns were replaced by modernized versions that used the Old West as a mere setting for whodunits or family-friendly stories. Starring Wayne Maunder in the title role, Custer was one of the last original Westerns, a show suggested by Larry Cohen and produced by 20th Century Fox. Although blessed with popular guest stars of the time such as Agnes Moorehead, William Windom or Barbara Hale, the show failed to become a success. Based on George Armstrong Custer’s life, the program was violent and often historically incorrect. Protested by Native Americans and opposed by The Virginian and Lost in Space on NBC and CBS, the show never really stood a chance. Canceled the same year it was launched, Custer became TV history after only seventeen hour-long episodes. Still remembered and cherished by die-hard Western fans today, the show can be revisited on DVD or on Youtube. For anyone who enjoys the style of the 1960s, Custer may be a real gem that deserves re-evaluation. The same goes for anyone who’s fond of TV classics in general, including those the majority of us has long forgotten – unfortunately or not. It’s your decision.

Watch Custer: Death Hunt here, guest starring Barbara Hale and Patricia Harty.

Happy Birthday, Barbara Hale!

Today, one of my favorite Golden Hollywood Girls is celebrating her 91st birthday. Or her 92nd, depending on the source you believe in. I stick with the younger option because the birth date April 18appearing at the "Hollywood Show", 1922 has such a nice ring to it. Besides, which woman doesn’t like to be younger rather than older?!

In general, 90-something is quite a milestone and (in my humble opinion) deserves a proper celebration – especially if the smile that comes with it is as bubbly and contagious as it always has been. So here’s your party hat, dear Barbara Hale, a big birthday hug and a smooch on your rosy cheeks. I hope you’re having a ball today, are blessed with good health (for many more years to come) and are surrounded by love and cheerful laughter.

Thanks so much for all the joy you have brought to my life as Della Street, on the silver screen and in interviews. Apart from my big love for Perry Mason, I’ve also always relished your on-screen collaborations with your charmingly handsome husband, Bill Williams. So for those of you who haven’t had the chance to see any of those “family projects”, here’s one of my favorite examples, The Clay Pigeon. A classic gem for a joyous day. Enjoy!

7th Cavalry

Talkie of the Week: 7th Cavalry

USA 1956, 75 minutes, technicolor, Columbia Pictures. Director: Joseph H. Lewis, Written by Peter Packer, Based on the story “A Horse for Mrs. Custer” by Glendon Swarthout. Cast: Randolph Scott, Barbara Hale, Jay C. Flippen, Frank Faylen, Jeanette Nolan, Leo Gordon, Denver Pyle, Harry Carey Jr., Michael Pate, Donald Curtis, Frank Wilcox, Pat Hogan, Russell Hicks, Peter Ortiz.

Plot summary: After Custer’s defeat at Little Big Horn, Captain Benson returns to Indian territory to bring back the bodies and atone for his absence from the doomed battle.

7th Cavalry posterReview: When Tom Benson returns to Fort Lincoln, he learns about General Custer’s defeat at Little Big Horn. The Captain himself was absent from the crucial battle in Indian territory. With Custer’s permission, he accompanied his young bride Martha Kellogg on her journey to their new home. Accused of cowardice and misguided loyalty to his mentor Custer now fallen from grace, Captain Benson volunteers to retrieve the bodies of his fellow men. With a group of unlikely heroes, he returns to what the victorious Sioux consider sacred ground to execute the President’s orders to give the fallen soldiers a decent burial.

7th Cavalry, like many Westerns, is a story based on historical facts but not faithfully so. Adapted from a story by Glendon Swarthout, the film depicts the aftermath of the Battle of Little Big Horn without focusing on General Custer. Although an absentee main character, Custer only serves as a background figure to introduce the film’s actual hero, Captain Tom Benson. Played by Randolph Scott, Benson is the outcast survivor of a battle he didn’t attend but cannot escape. As a soldier, he doesn’t only have to cope with the the loss of his company but also with the downfall of his fallen superior, a man whom he has admired for his decency and expertise. Confronted with mistrust and criticism by a military Board of Inquiry led by the father of his wife-to-be, Benson masters the art of walking the fine line of duty and allegiance, convincingly stressed in Scott’s performance. Supported by a gracefully devoted Barbara Hale as Martha Kellogg, the actor led a decent ensemble in a film that captivates with words rather than action. Calm and slow paced, 7th Cavalry is not a John Wayne Western, nor a movie for an impatient crowd. It is a movie with a charm of its own, made for an audience who doesn’t mind following a wide array of dialog until the hero finally takes off to follow his destiny.

Beautifully cast and shot in Mexico, the film offers a look back at a time when films were not yet dominated by special effects and CGI. Although lengthy and verbose for some, 7th Cavalry has its definite perks for anyone who’s fond of a quieter performance style and demure storyline. Blessed with the talents of Western veteran Randolph Scott, as well as Barbara Hale’s often underestimated naturalness and warmth, the film deserves to be preserved for an audience who appreciates uncelebrated classics and their place in film history.

Get a glimpse of 7th Cavalry here.

The Far Horizons

Talkie of the Week: The Far Horizons

USA 1955, 108 minutes, color, Paramount Pictures. Director: Rudolph Maté, Written by Winston Miller, Based on the novel Sacajawea of the Shoshones by Della Gould Emmons. Cast: Fred MacMurray, Charlton Heston, Donna Reed, Barbara Hale, William Demarest, Alan Reed, Eduardo Noriega, Larry Pennell, Julia Montoya, Ralph Moody, Herbert Heyes, Lester Matthews, Helen Wallace, Walter Reed.

Plot summary: After purchasing the Louisiana Territory in the early 1800s, President Jefferson sends Meriwether Lewis and William Clark out West to explore the new territory and claim the adjacent land leading to the Pacific Ocean for the United States.

The_Far_Horizons_1955Review: There are a lot of things one could say about Paramount Pictures’ The Far Horizons, historically correct is not one of them. As one of the few features (if not the only) ever made about the Lewis and Clark expedition (1803-06), the film is a piece of fiction rather than a serious rendition of actual events. Dominated by a dramatic love story, the film borrowed an exciting setting to weave a colorful story around an adventure that in itself bears enough material for two feature-length adaptations. Based on Sacajawea of the Shoshones though, a novel by Della Gould Emmons, The Far Horizons falls sadly short of paying tribute to a now famous team of brave explorers.

Sacajawea, although praised as a key figure of the successful expedition, is but a mere shadow of the actual historic figure. Donna Reed – refurbished with a wig, her skin a deep made-up brown – did a decent job transforming herself into a native teenager who, as fiction would have it, falls in love with Charlton Heston’s philandering Lieutenant Clark. But the spark is strangely missing. Reduced to an unfortunate loser in love, Fred MacMurray did his best to flesh out his version of Meriwether Lewis, a man who (in real life) presumably committed suicide a few short years after completing his expedition but was on friendly terms with his fellow explorers. Barbara Hale played Julia Hancock, a young woman who choses Clark over Lewis in the beginning of the movie and has to deal with her fiancé’s change of heart when he returns to Washington in the end. Although none of the heartache ever happened, Barbara Hale’s scenes with the main characters are heartbreaking and one of the reasons to give this picture an honest chance. It’s also a plus to see this film released in widescreen format on DVD. Produced in Technicolor and VistaVision, the nature shots are beautiful and even breathtaking at times, the quality genuinely mid-1950s.

In general, The Far Horizons is not the kind of film you may turn to more than once (unless you are a fan of one of the above mentioned actors). Rated by Time Magazine as one of top ten historically most misleading films in 2011, the plot definitely leaves a lot to be desired. It is still a film, however, that – despite its many controversies – also has acting highlights towards the end and even offers discreet comments about society, including the status of the female sex.

Watch the original trailer here.

The Lone Hand

Talkie of the Week: The Lone Hand

USA 1953, 80 minutes, color, Universal International Pictures. Director: George Sherman, Written by Joseph Hoffman and Irving Ravetch. Cast: Joel McCrea, Barbara Hale, Alex Nicol, Charles Drake, Jimmy Hunt, James Arness, Ray Roberts, Frank Ferguson, Wesley Morgan.

Plot summary: In order to secure the survival of his family, Zachary Hallock gets involved with the wrong side of the law and thus puts the trust of his son and newlywed wife to the ultimate test.

The Lone Hand 1953Review: As a widowed father who is trying to start a new life with his son (Jimmy Hunt), Zachary Hallock (Joel McCrea) works hard on a little farm he only recently purchased and soon occupies with his new wife. In order to overcome the sudden loss of his harvest, he gets involved with a local gang of outlaws who are notorious for their robberies. His son, raised to be inquisitive and righteous, gets suspicious of his father’s new source of income and soon starts asking questions like his stepmother Sarah Jane (Barbara Hale). Unable to tell them the truth behind his actions, Zachary loses his son’s respect and his wife’s trust. It takes an unexpected turn of events to win them both back and make them understand the situation.

Shot in Colorado in 1953, The Lone Hand would be the first out of two movies starring Joel McCrea and Barbara Hale. As a reliably gifted Western star, McCrea governed the movie from the start, supported by Jimmy Hunt’s touching performance and Barbara Hale’s always hearty and wholesome presence. Together, they turned this little film into a memorable experience for anyone who is fond of family Westerns with a dash of suspense. Unavailable on DVD so far, the film is a gem that can be seen in occasional reruns on TV and deserves to be passed on from one generation to the next.

Watch a teaser here.

The Case of the Stuttering Bishop

Talkie of the Week: The Case of the Stuttering Bishop

USA 1937, 70 minutes, black & white, Warner Bros. Director: William Clemens, Written by Kenneth Gamet and Don Ryan, Based on The Case of the Stuttering Bishop by Erle Stanley Gardner. Cast: Donald Woods, Ann Dvorak, Anne Nagel, Linda Perry, Craig Reynolds, Gordon Oliver, Joseph Crehan, Helen MacKellar, Edward McWade, Tom Kennedy, Mira McKinney, Frank Faylen, Douglas Wood, Veda Ann Borg, George Lloyd, Selmer Jackson and Charles Wilson.

Plot summary: Perry Mason gets involved in a case of identity theft and ends up defending the possible heir to a murder victim’s fortune.

TCOT Stuttering Bisop 1937Review: As the sixth and last adaptation of Erle Stanley Gardner’s popular whodunits, Warner Brothers released The Case of the Stuttering Bishop in 1937 with Donald Woods as famed lawyer Perry Mason and Ann Dvorak as his faithful girl Friday Della Street. Based on Gardner’s ninth book, the film tried to turn a difficult plot into seventy minutes of entertaining noir, unfortunately another failed attempt at the box office. For Mason fans, the film may now be a gem to complete their collection, for a general audience, however, the film did not manage to live up to Gardner’s original story.

Although blessed with Donald Woods as yet another Mason, the film, once again, lacked the enticing chemistry between Perry and and his savvy secretary, an element the radio and TV show would get down to a T in the 1940s through 60s. Ann Dvorak, despite her decent lines, brief (book-inspired) action scene and physical presence, did not manage to shine as Della Street and Joseph Crehan did not get enough screen time to actually flesh out another pivotal character from the original books, private detective Paul Drake. Charles Wilson, though, as district attorney Hamilton Burger, met the rather unlikeable persona from Gardner’s novels and Edward McWade was a charming stuttering bishop Mallory. Together, they made the film an enjoyable hour of entertainment without living up to the story’s full potential.

Despite my bias for Raymond Burr, Barbara Hale and their smash hit show from the 50s and 60s, I must admit, however, that Donald Woods did a fine job at breathing life into his very own Perry Mason. Of all the adaptations from the 1930s, The Case of the Stuttering Bishop may even qualify as my favorite, although each of the six films had its beauty and strengths. As a Mason fan, I’m grateful either way for Warner’s decision to release all of the first Mason films in one boxset on DVD – it sure made the best early Christmas gift I gave myself this year.

The Case of the Black Cat

Talkie of the Week: The Case of the Black Cat

USA 1936, 66 minutes, black & white, Warner Bros. Director: William C. McGann, Written by F. Hugh Herbert, Based on The Case of the Caretaker’s Cat by Erle Stanley Gardner. Cast: Ricardo Cortez, June Travis, Jane Bryan, Craig Reynolds, Carlyle Moore Jr., Gordon Elliot, Nedda Harrigan, Garry Owen, Harry Davenport, George Rosener, Gordon Hart, Clarence Wilson, Guy Usher, Lottie Williams and Harry Hayden.

Plot summary: When Peter Laxter calls Perry Mason to change his will in order to test the loyalty of his granddaughter’s fiancé, his actions result in a series of sudden deaths the prosecution investigates as murders.

Review: Following four silver screenTCOT Black Catadaptations with Warren William starring as Perry Mason, Warner Brothers took another shot at success in 1936 by releasing The Case of the Black Cat based on Erle Stanley Gardner’s seventh whodunit, The Case of the Caretaker’s Cat. Introducing Ricardo Cortez as the famous attorney-at-law and June Travis as his irreplaceable Della Street, that new production did not follow up on previously disappointing attempts of turning Mason into a Nick Charles but rather tried to soak up the essence of Gardner’s original novel. Featuring Garry Owen as private eye Paul Drake, an important asset to Mason’s law practice, and Guy Usher as district attorney Hamilton Burger, The Case of the Black Cat was suspenseful and noir right from the start. What the film lacked, however, was that kind of enticing chemistry between the story’s main characters, an ingredient Raymond Burr, Barbara Hale, Bill Hopper (as well as William Talman and Ray Collins) would so easily create on the small screen two decades later.

Although hard to compare to the smashing TV show of the 1950s and 60s, this adaptation from 1936 already took a step into the right direction. Regardless of his excellent performance skills and gentlemanly quality, Warren William did not get to leave a lasting mark as Perry Mason and unfortunately, nor did Ricardo Cortez with his one-time chance at proving himself. June Travis, as the fourth actress to breathe life into Mason’s skillful girl Friday, also didn’t make a big enough difference to win the hearts of Gardner’s fans. Just like her predecessors, she was pretty and useful but never as distinctive as the character in the original books.

In general, The Case of the Black Cat offered a calmer version of Gardner’s crafty lawyer, especially when compared to the screwball-induced The Case of the Lucky Legs and The Velvet Claws, the improved take on the novels still did not stand out enough, however, to attract a larger audience. Today, The Case of the Black Cat is a great little film for anyone who loves Perry Mason. Although for most, Raymond Burr will always be the perfect Perry and Barbara Hale his unrivaled Della, this film is a great example of how Hollywood has always tried to tell stories the audience has already embraced. It is also a treat for anyone who is enamored with the 1930s, the slang, movies and fashion of those troubled days.

Available on the Perry Mason Mysteries DVD boxset.

Seminole

Talkie of the Week: Seminole

USA 1953, 87 minutes, color, Universal Pictures. Director: Budd Boetticher, Written by Charles K. Peck Jr., Cast: Rock Hudson, Barbara Hale, Anthony Quinn, Richard Carlson, Hugh O’Brian, Russell Johnson, Lee Marvin, Ralph Moody, Fay Roope, James Best, John Dahaim.

Plot summary: When Lt. Caldwell returns to his Florida home to serve at Fort King, he is faced with a strict commander who endangers the peaceful co-existence with the Seminole Indians.

Review: Set in 1835, Seminole tells the story of Lt. Caldwell who is accused of murder of a sentry at Fort King near the Everglades where the Seminole Indians lived in peace with the white settlers until Major Degan took command. Played by Rock Hudson, Caldwell is an honest soldier who grew up in the area and thus knows the Everglades as more than just hostile land. Familiar with the territory, he is a helpful asset to Fort King, but it is his love for Revere Muldoon (Barbara Hale) that actually made him return to his childhood home. Originally a peaceful tribe in the region, the Seminole Indians are now fighting the soldiers at Fort King, first and foremost by their leader Osceola (Anthony Quinn). Seeking a way to negotiate with Osceola, Lt. Caldwell finds his plans thwarted by Major Degan (Richard Carlson) whose misguided ambition poses a threat not only to the settlers and Seminoles, but also to his own men. With the help of Revere, Caldwell tries to avoid a conflict before it gets out of hand, only to find himself charged with murder at the end of a gory battle in the midst of the swampy Everglades.

Blessed with a convincing cast, Seminole was primarily shot in the Everglades National Park in Florida, a place that added to the sweltry atmosphere of this unusual Western. Led by Rock Hudson as handsome and righteous Lt. Caldwell, the actors did a wonderful job breathing life into characters whose destiny is connected and tied to the swamps, especially Osceola’s. Anthony Quinn, always strong as a “noble savage”, shined particularly in the presence of Barbara Hale whose Revere Muldoon is a heroine on her own merit, alluring and strong.

Available on DVD, the film is the perfect treat for anyone who enjoys an ensemble of good actors whose leading stars created a sizzling chemistry on screen. The story itself is suspenseful and dramatic, turning this classic into a perfect gem, especially for those of us who prefer some romance over a blanket to keep ourselves warm in this cold October season.

Seminole trailer

Crossroads

TV classics: Crossroads

USA 1955-57, two seasons, 78 episodes, approximately 30 minutes each, ABC, black & white. Cast: Jeff Morrow, Douglass Dumbrille, Robert Carson, Frank J. Scannell, Robert Paquin, Pat O’Brien, Dorothy Green, Donald Woods, Philip Ahn, Jonathan Hale, Brian Donlevy, Richard Denning, Vincent Price, Dick Foran and many others

Plot summary: As a religious anthology series, Crossroads has a look at everyday challenges from a spiritual point of view.

Review: Focusing on the lives of clergymen from numerous denominations, predominantly Christian and Jewish, Crossroads presented a new story and cast each week to entertain and educate an audience from all backgrounds and age groups. Based on actual incidents, each episode offered answers to everyday challenges but also shed light on less common social environments and situations. In Lifeline, for example, broadcast on ABC on May 11, 1956, a young woman (Barbara Hale) seeks the help of Reverend Grumm (Regis Toomey) to salve her conscience and rescue her baby sister from the mob she herself has been working for for years. It’s stories like these that made this show so alluring and the actors who still make it worthwhile today. With selected episodes available on DVD, Crossroads is definitely not a show for agnostics, but it may fill a gap for those who are interested in spirituality and miss a certain sparkle of hope.

Beyond Kit Carson

Remembering the Charm and Talents of Bill Williams

Born in Brooklyn, New York on May 21, 1915* as Hermann Wilhelm Katt, Bill Williams started his career in Vaudeville, touring the US and Europe as an adagio dancer until he joined the army in WWII. Following an honorable medical discharge, he returned to show business, starting out as an extra in Hollywood and playing small, uncredited parts before he finally landed a deal with RKO in the mid 1940s. As a contract player, he was slowly cast as a budding co-star, opposite popular colleagues such as Spencer Tracy in Thirty Seconds over Tokyo, Robert Young in Those Endearing Young Charms, Robert Mitchum in Till the End of Time and Susan Hayward in Deadline at Dawn while in private life he quietly divorced his first, long estranged wife. In 1946, two years after shooting West of the Pecos, a small Western featuring RKO starlet Barbara Hale whom he had previously been introduced to by acting coach Lillian Albertson, he got married to his former co-star gone studio sweetheart and saw a bright future laid out before him. Considered for a series of pictures following A Likely Story co-starring his young wife, Bill’s stream of luck ended with the sudden death of RKO president Charles Kroener and the structural changes that followed at the studio.

After serving as good-will ambassador from Hollywood to the public in 1946 and 47 for several months, keeping his popularity afloat by touring he country, he was struck down by an old injury that would further interrupt his career while Mrs. Williams was expecting their first child. With A Likely Story under his belt, however, the press didn’t lose interest in him and focused on the private life of the growing Williams family instead, presenting them as happy, lovely and homey. After bowing out of The Window, his second would-be collaboration with wife Barbara, Bill regained his health and starred with her in The Clay Pigeon. Shortly thereafter, the couple faced a new challenge in their conjoined careers when Howard Hughes entered the scene to change the course of RKO by letting all the contract players go. While his wife managed to land a career-breaking part in Jolson Sings Again and a follow-up contract with Columbia Pictures, Bill Williams continued working as a freelance actor, starring in a number of small Westerns and memorable films like The Stratton Story until he got his big break on television in 1951. Landing the title role in The Adventures of Kit Carson, Bill breathed life into a character who soon turned into a kids’ favorite and guaranteed him long hours on set. Successful for four consecutive seasons, the show turned Bill into a household name and Western hero, a good fortune he tried to continue with Date with the Angels in 1957. Starring opposite TV darling Betty White, Bill was seen as a newlywed husband who showed splendid comedic timing. Although promising, entertaining and less strenuous to work on than his predecessor series, the show did not last longer than a season. Instead, his wife Barbara Hale started an unexpectedly long career on television when she agreed to star as Della Street on Perry Mason, a show that would last from 1957 to 66. After years of putting her family first, it was Bill now who spent more time at home with the three children. He did not return to the small screen until 1960 when he starred in Assignment: Underwater, an underwater adventure show modeled after Sea Hunt, a surprise hit Bill Williams himself had turned down in 1958. Following the show’s cancellation, Bill returned to being a working actor and guest starred on a variety of popular programs including his wife’s great success and her co-star Raymond Burr’s follow-up smash Ironside until he retired from acting for good in 1981.

Although originally a city boy with a defining Brooklyn accent, Bill was frequently cast as a handsomely talented cowboy throughout his career. With his boyish grin, tender eyes and natural athleticism, he was the perfect ‘good guy’ when he was young and a credible character actor when he got older. Always deeply committed to his craft, he worked hard at doing most of his own stunts, oozed honesty and earthy charm. Not unlike his darling wife, Bill Williams is now often remembered for his one career-defining role as Kit Carson, but it would be a pity to forget all the other characters he breathed life into, including the many different men he played opposite Mrs. Williams – from their first feature West of the Pecos in 1945 to their last in 1976, Disney’s Flight of the Grey Wolf.

Twenty years ago, on September 21, Bill Williams died in Burbank, California at the age of 77. He left his wife of 46 years, two grown daughters and his son, William Katt, a working actor who continued the tradition of keeping the business in the family by repeatedly working with his mother, Barbara Hale, on the same projects. By his fans, he is still remembered with great fondness, especially by those who grew up loving Westerns.

* Author’s note: Apparently, there’s some confusion about Bill Williams’ date of birth. (Thanks for the mention, Gina!) Wikipedia now lists May 15th as his birthday while imdb still mentions May 21st. As soon as I get confirmation on the validity of one of these dates, you’ll be the first ones to know.