Screen Couples

We all know them: the Stoneses, the Andersons or the Stephenses. For some, they may be a guilty pleasure, for others a mere necessity to get a story told. For me, they are the cherry on top of any tale: fictional couples and their personal stories. On the fringes of drama, comedy and mayhem, romantic innuendo has always been my favorite treat. From Date with the Angels and Family Ties to Murder She Wrote or Babylon 5, I have a weakness for double entendre paired with a healthy sense of humor, smarts and mutual respect.

Della and Perry1) Perry Mason and Della Street, for example, have been my favorite couple for more years than I care to admit. On paper, radio and screen, the lawyer and his secretary know how to put a smile on my face. Committed to their work as much as to each other, the true nature of their relationship has always remained a mystery. For some fans, they are the best of friends while others suspect some hanky-panky behind closed doors. For me, they have long been married, the epitomized working couple who combines independence with traditional values. And that’s the beauty of those characters and their story. They ignite your imagination and tease you to the point of sizzling frustration with a simple look, remark or smitten smile. It is a tradition Erle Stanley Gardner himself started in The Velvet Claws in 1933 and lasted until 1994 when the last Perry Mason TV movie aired on NBC. Perfected by its signature cast, Raymond Burr and Barbara Hale, Perry and Della have since lived on in the hearts of many fans, the flame of their romance burning more and more brightly towards the series’ end.

Jennifer&Jonathan2) The second couple I have loved for as long as I can remember are Jennifer and Jonathan Hart. Sophisticated, rich and charming, the Harts had everything including a mutually executed interest in solving mysteries. Following in the footsteps of TV’s Mr. and Mrs. North, they dug up trouble where it’s usually hard to find but their love for each other made their cases stand out from others. Together, they were invincible and (much like Della and Perry) have stood the test of time. A mere decade after Hart to Hart was canceled on ABC, the couple returned to television in 1993, matured, refined, and every bit as committed to each other as they had always been. Today, the Harts are still a dream couple for their fans, a twosome who showed their audience the ingredients of true love and how it beautiful life can be even if you are denied to have your desired offspring.

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The Love Boat

TV classics

USA 1977-87, nine seasons, four specials, 249 episodes, approximately 50 minutes each, ABC, color. Produced by Aaron Selling, Douglas S. Cramer. Cast: Gavin MacLeod, Bernie Kopell, Fred Grandy, Ted Lange, Lauren Tewes, Jill Whelan, Ted McGinley, Pat Klous. Guest stars: June Allyson, The Andrew Sisters, Eve Arden, Gene Barry, Polly Bergen, Amanda Blake, Tom Bosley, Raymond Burr, Sid Caesar, Leslie Caron, Cyd Charisse, Olivia de Havilland, Patty Duke, Joan Fontaine, Greer Garson,  Andy Griffith, Katherine Helmond, Celeste Holm, Gene Kelly, Werner Klemperer, Jack Klugman, Dorothy Lamour, Janet Leigh, Allen Ludden, Rue McClanahan, Leslie Nielsen, Lilli Palmer, Donna Reed, Della Reese, Debbie Reynolds, Marion Ross, Eva Marie Saint, Jaclyn Smith, Jean Stapleton, Gale Storm, Sada Thompson, Lana Turner, Gloria Vanderbilt, Betty White, William Windom, Shelly Winters, Jane Wyatt, Jane Wyman and many others

Plot summary: On the Pacific Princess, love and laughter are all-inclusive.

Love Boat crewReview: In 1976, three TV movies launched the career of a special ship, the Pacific Princess. Based on a non-fiction book by cruise director Jeraldine Saunders, the so-called Love Boat traveled the world with Captain Stubing and his crew. Each week, they were accompanied by a wide array of guests stars ranging from Hollywood legends to contemporary starlets. Split into three different stories, every episode focused on love, comedy and drama. Written by three sets of writers, the weekly plots rarely crossed over but instead made The Love Boat crew the pivotal element that held them all together.

The Captain (Gavin MacLeod), Doc (Bernie Kopell) and bartender Isaac Washington (Ted Lange) were the longest serving members of an ensemble that appeared to be tight on camera and off. They were supported by Gopher (Fred Grandy) and Julie McCoy, played by Lauren Tewes, a young actress who successfully earned her stripes on TV in the first seven seasons. Eventually, they were joined by Jill Whelan as Vicki Stubing, the Captain’s daughter, and Pat Klous as Jody McCoy, Julie’s sister and replacement for the last two seasons. In 1979, Charlie’s Angels checked in on the Pacific Princess to solve a case and simultaneously introduce Shelley Hack as the latest angelic addition. Collaborations like that were rare but boosted ratings for Aaron Spelling’s other projects, Fantasy Island following suit in 1980.

Popular around the world during its ten year run, The Love Boat offered an escape from the grim realities of politically callous times. At the height of the Cold War, the program was bubbly, glamorous and diverting. A perfect vehicle for old stars and new ones alike and thus an evening favorite for boomers and their parents. Shown in reruns for many years, the first two seasons were finally made available on DVD in 2008. A great treat for anyone who has fond memories of flares, weekly cameos and the famous theme song performed by Jack Jones (as well as by Dionne Warwick in 1987).

Rear Window

Talkie of the Week: Rear Window

USA 1954, 112 minutes, color, Paramount Pictures. Director: Alfred Hitchcock, Written by John Michael Hayes, Based on Cornell Woolrich’s short story “It Had to Be Murder”. Cast: James Stewart, Grace Kelly, Thelma Ritter, Wendell Corey and Raymond Burr.

Plot summary: Stuck in his apartment in a wheel chair, photographer L.B. Jeffries enjoys sitting by his his rear window to entertain himself with the everyday lives of his neighbors until he starts suspecting one of them of murder.

Review: New York, 1954. Photographer L.B. “Jeff” Jeffries (James Stewart) is trapped at home, tied to a wheel chair and deprived of his usual excitation. An independent spirit whose professional life is filled with danger and adventure, he is bored out of his wits sitting in his tiny apartment with a broken leg. Secluded from the outside world apart from his daily visitors Lisa (Grace Kelly) and nurse Stella (Thelma Ritter), he has found solace in the repetitive lives of his colorful neighbors. Nicknaming them according to their behavior, Jeff comments on the patterns he has made out in five weeks of impudently observing them. Although chided by his visitors at first for peeking into the private affairs of complete strangers, his guilty pleasure soon becomes an addiction for him as much as to his acquaintances, leading to revelations about well-kept secrets and a possible murder.

Detached in the beginning and cynical, Jimmy Stewart’s performance is reliable as always, his character strangely intangible despite his rough, likable charm. By his side, Grace Kelly shines in her lovely dresses, her beauty set up to stun rather than her performance. Thelma Ritter delivers her lines with a genuine twinkle in her eye, bringing a lightness to an atmosphere of restraint and suspense while Wendell Corey adds to a feeling of increasing trepidation. Blessed with a stellar cast of supporting actors who work together like a beautiful composition of New York neighbors, it is Raymond Burr who stands out with his performance as murder suspect Lars Thorwald. From the distance, he seems unspectacular and vulnerable, a character broken by life. When we finally see his face and hear him speak, it is his voice that is the biggest surprise – for a moment, he leaves us wondering about the person behind a man we suspect of having committed a cruel crime. He sounds helpless somehow and weak, his questions coming across like a plea before his calm turns into violence and he becomes intimidating again to say the least.

Using the suspense and excitement of voyeurism, Rear Window was further refined by a memorable set and popular music, guaranteeing the film a place in the National Film Registry in 1997. Shot in color and based on a short story by Cornell Woolrich from 1942, the film is still on the must-see list of any film buff who enjoys Hollywood’s Golden Age and has the potential to make a frequent guest appearance in your home. As one of Hitchcock’s most celebrated masterpieces, Rear Window was gripping upon release and remains suspenseful today, on DVD, in reruns or on Blu-ray.

Rear Window re-release trailer

The Jack Benny Program

TV classics: The Jack Benny Program

USA 1950-65, 15 seasons,  343 episodes, approximately 30 minutes each, CBS & NBC, black & white. Sponsors: Lucky Strike, Lux, Lipton Tea, Jell-O and others, Cast: Jack Benny, Eddie Anderson, Don Wilson, Dennis Day, Mary Livingstone, Mel Blanc, Frank Nelson and various recurring guest stars

Plot summary: As one of America’s most beloved comedians, Jack Benny entertained his audience on radio before he found fame in fifteen consecutive TV seasons on CBS and NBC.

Review: Like many of his contemporaries, Jack Benny originally started out on radio before he took television by storm with a show based on his continued radio success. Reliable as a source of hilarity and entertainment, the comedian created one of those early hit shows the majority of America refrained from missing back in the days. Welcoming many stars of his time, including Humphrey Bogart, Raymond Burr, Bing Crosby, Walt Disney, Irene Dunne, Bob Hope, Jane Mansfield, Groucho Marx, Marilyn Monroe, James and Gloria Stewart or Danny Thomas, the show guaranteed diversion and relaxation and succeeded for remarkable fifteen consecutive seasons.

With some episodes now in public domain and the rest eagerly awaited by Jack Benny fans to be released on DVD, today, the comedian is still regarded as one of America’s greatest performers and one of Hollywood’s generous stars. His show, though not easy to categorize, offered previously recorded, as well as live broadcasts and aimed at entertaining the audience often on his own behalf. Judged as easy formula entertainment by some, The Jack Benny Program did a wonderful job diverting an entire generation and their children from their daily hardships in a time that was less cushioned than many people imagine today. Never dwelling on cynicism, Jack Benny offered a good half hour of gags and laughs, while always trying to deliver the best material for the audience to enjoy. Supported by a decent cast and beloved recurring characters, the comedian managed to leave a mark on his audience despite his irregular television appearances in the early 50s. After ending his radio commitment, The Jack Benny Program was broadcast more frequently until his farewell, at the height of his popularity, in 1965 on NBC.

For old fans and new ones alike, selected episodes are available on DVD. Selected radio episodes are available on the Internet Archive.

The Jack Benny Program sample episode with guest star Bob Hope

Raymond Burr

Everyone who grew up with a TV set knows his brooding face, his kind blue eyes and dimple smile. Raymond Burr, star of two consecutive hit shows, Perry Mason and Ironside, is still a household name due to his haunting qualities as an actor who started as a villain and would become America’s favorite lawyer.

Career: Born on May 21, 1917 in New Westminster, British Columbia, Raymond Burr came of age in the Great Depression and worked a variety of jobs before he finally broke into acting. Starting out on the stage at the Pasadena Playhouse in 1937, he starred on Broadway in Crazy with the Heat and landed his first movie contract with RKO in the 1940s. Soon typecast as a villain in film noir and other genres due to his broad frame and impressive figure, Raymond Burr appeared in over sixty movies before he finally found fame on television as Erle Stanley Gardner’s courtroom hero Perry Mason.

Originally auditioning for the part of district attorney Hamilton Burger, Raymond was the author’s own first choice for the famous lawyer who had already appeared in books, on the silver screen and radio since the 1930s. With its hour-long format, the TV show was a new attempt of using Gardner’s original characters in a suspenseful and entertaining way. Joined by Barbara Hale as Mason‘s girl Friday Della Street and Hedda Hopper’s son as private eye Paul Drake, Raymond Burr started a journey of unprecedented nature when he shot the pilot in 1956. Although starving for success after his bumpy relationship with big screen Hollywood, the actor was soon exhausted from the six day weeks and long hours on set, the whole production relying on a main character he breathed life into by reciting endless monologues. While enjoying and enforcing the cordial atmosphere on the Perry Mason set, Raymond Burr’s lack of breaks soon resulted in him living in a studio apartment in order to get some rest. As a pastime, Raymond loved playing pranks on his dearly beloved cast members, Bill Talman and Barbara Hale especially – her high-pitched screams, predictable schedule (as an actress, wife and mother of three) and eagerness to respond to his endless list of jokes making her his favorite target. It was the heavy schedule however, his lack of time and variety in acting that ultimately brought Raymond to enjoy Perry Mason less and less. After nine years of rewarding team play on “the happiest set in town” yet grueling working conditions for its star, the show was finally axed in 1966 by CBS. Sad to part from his cast and crew but eager to explore new territory, Raymond Burr soon found himself another show to star on, a show that would allow him more downtime and more right to a say in the matter of storytelling.

As Robert T. Ironside, he re-entered American living rooms in 1967 and managed to repeat his previous success. As an ex-police chief tied to a wheel chair, his new character was different from Perry Mason. A hero by his own means, Ironside and his team conquered the hearts of their audience for a good eight years before its cancellation, releasing its star into a decade of fading fame.

In 1985, Raymond Burr accepted an offer to return as Perry Mason but insisted on Barbara Hale reprising her role as Della Street as well. As the only surviving cast members of the original show, they were joined by Barbara’s son Billy Katt who starred as Paul Drake Jr. in the first nine out of twenty-six common TV movies. In 1993, Raymond Burr also returned as Ironside for one TV movie and then made his last appearance in Perry Mason and The Case of the Killer Kiss. Already tied to a wheel chair on set, Raymond said a long goodbye to his friends before he lost his battle against cancer in the privacy of his home in California, only weeks after wrapping his last project.

Characters: Although he started out as a villain in films like Raw Deal, Borderline or M, it was Raymond Burr’s portrayal of idiosyncratic heroes like Perry Mason and Robert T. Ironside that brought him lasting fame beyond the days of his original success.

Convincing as ruthless characters, as well as disturbed, aggressive or lion-hearted ones, it was his sense of vulnerability, his brooding expression, his kind yet piercing eyes that added depth and realism to his performances. Versatile, tall, broad-shouldered, handsome and blessed with an expressive voice, Raymond Burr’s characters may have been disreputable at the beginning of his career, his screen presence however made it impossible for them to be ignored. After all, who could forget his haunting appearance in Hitchcock’s Rear Window – his eyes intense and full of threat? Or his portrayal of Barney, the cursed murderer in Bride of the Gorilla, an excellent B movie that lives from his no-nonsense performance. Godzilla‘s Steve Martin is another example or Please Murder Me – two films that show the complexity of an actor who defined his characters by making them unique.

Perry Mason then brought on the change he had been hoping for in film. As a righteous guy it was finally him who was chasing the villains and his credibility was so acute, his audience soon started mistaking the actor for the character whenever they met or wrote to him. Adding to his authenticity was the chemistry he had with his co-stars, first and foremost Barbara Hale, Perry Mason‘s highly valued Della Street. Building up a system of non-verbal communication with his partner-in-crime, he soaked up what his co-star offered and allowed her to shine even without any lines.

As Ironside, he managed to create a character who was not limited to his disability but who coped with the restrictions of a wheelchair without allowing his situation to define his abilities. When he returned to his most defining parts in the 1980s and 90s, Raymond Burr added further depth to his portrayal of his two alter egos, especially to Perry Mason whose twenty-six new adventures finally allowed him to suggest a romance between him and Della Street.

Charity and Hobbies: Once described as an oversize personality inside and out, Raymond Burr was a strong believer in giving rather than taking, a humanist at heart, warm and wicked. He excelled as a cook who loved to invite friends to elaborate dinners at his Malibu home, was a distinguished gardener who grew numerous new orchids he named after his friends, including his Perry Mason co-star Barbara Hale, and was interested in art and antiques. A co-owner of a gallery in Beverly Hills and a Hans Erni enthusiast, Raymond Burr was also a man of vast reading and an actor who went at great lengths for his characters and colleagues.

Recognized for his engaging portrayal as Perry Mason, Raymond often attended lawyers gatherings and received an honorary doctorate from two different universities. At the height of his fame, he fostered several children around the world and donated most of his money to institutions and educational programs in the US and Fiji where he also owned an island. He toured Korea and Vietnam to support the troops by sitting down with soldiers in remote areas of the war zones, cultivated wine and refused to have his property named after himself. The Raymond Burr Vineyards didn’t get their name until after his passing, when his business partner decided to honor him posthumously and still continues his work today.

Private Life: Reserved and cautious about sharing his private life, Raymond Burr had a difficult relationship with the press throughout his career. Though repeatedly praised by critics for his work, he was often misquoted in papers and thus grew weary of the coverage that came with his many years of television success. Always outspoken and silver-tongued, he circumnavigated questions about his bachelordom and refrained from commenting gossip about seeing Barbara Stanwyck or Natalie Wood. Never reluctant to discuss the long hours on set as Perry Mason however, he focused on answering questions about his work without presenting himself as the center of attention. Eager to highlight the qualities of his fellow cast members and crew, Raymond Burr made sure to find a balance between describing his workload and the bond he shared with his set family.

As a habit, he never commented on wrongful insinuations about his cordial friendship with his Della Street or his changing weight, nor did he respond to rumors about his supposed homosexuality. Staying true to his convictions of living the kind of life he wished others would live, he made no secret of how much he disliked the press for trying to expose what shouldn’t concern them in the first place. Unfortunately, he did not get around to writing his planned autobiography before he died on September 12, 1993. It would have been a pleasure to read about his career from his own point of view. I’m sure he would have surprised a lot of people with a book filled with a myriad of stories but only little information about himself.  

Filmography:

  • 1994 Perry Mason: The Case of the Killer Kiss (TV movie)
  • 1993 Perry Mason: The Case of the Telltale Talk Show Host (TV movie)
  • 1993 The Return of Ironside (TV movie)
  • 1993 Perry Mason: The Case of the Skin-Deep Scandal (TV movie)
  • 1992 Perry Mason: The Case of the Heartbroken Bride (TV movie)
  • 1992 Perry Mason: The Case of the Reckless Romeo (TV movie)
  • 1992 Perry Mason: The Case of the Fatal Framing (TV movie)
  • 1992 Grass Roots (TV movie)
  • 1991 Perry Mason: The Case of the Fatal Fashion (TV movie)
  • 1991 Delirious
  • 1991 Perry Mason: The Case of the Glass Coffin (TV movie)
  • 1991 Showdown at Williams Creek
  • 1991 Perry Mason: The Case of the Maligned Mobster (TV movie)
  • 1991 Perry Mason: The Case of the Ruthless Reporter (TV movie)
  • 1990 Perry Mason: The Case of the Defiant Daughter (TV movie)
  • 1990 Perry Mason: The Case of the Silenced Singer (TV movie)
  • 1990 Perry Mason: The Case of the Desperate Deception (TV movie)
  • 1990 Perry Mason: The Case of the Poisoned Pen (TV movie)
  • 1989 Perry Mason: The Case of the All-Star Assassin (TV movie)
  • 1989 Perry Mason: The Case of the Musical Murder (TV movie)
  • 1989 Perry Mason: The Case of the Lethal Lesson (TV movie)
  • 1988 Perry Mason: The Case of the Lady in the Lake (TV movie)
  • 1988 Perry Mason: The Case of the Avenging Ace (TV movie)
  • 1987 Perry Mason: The Case of the Scandalous Scoundrel (TV movie)
  • 1987 Perry Mason: The Case of the Murdered Madam (TV movie)
  • 1987 Perry Mason: The Case of the Sinister Spirit (TV movie)
  • 1987 Perry Mason: The Case of the Lost Love (TV movie)
  • 1986 Perry Mason: The Case of the Shooting Star (TV movie)
  • 1986 Perry Mason: The Case of the Notorious Nun (TV movie)
  • 1985 Perry Mason Returns (TV movie)
  • 1984 Godzilla 1985: The Legend Is Reborn
  • 1982 Airplane II: The Sequel
  • 1981 Peter and Paul (TV movie)
  • 1980 The Night the City Screamed (TV movie)
  • 1980 Out of the Blue
  • 1980 The Curse of King Tut’s Tomb (TV movie)
  • 1980 The Return
  • 1979 The Thirteenth Day: The Story of Esther (TV movie)
  • 1979 Disaster on the Coastliner (TV movie)
  • 1979 The Misadventures of Sheriff Lobo (TV series) – The Mob Comes to Orly (1979)
  • 1979 Eischied (TV series) – Only the Pretty Girls Die: Parts 1+2 (1979)
  • 1979 Love’s Savage Fury (TV movie)
  • 1979 Centennial (TV mini-series), 12 episodes
  • 1979 The Love Boat (TV series) – Alas, Poor Dwyer/After the War/Itsy Bitsy/Ticket to Ride/Disco Baby: Parts 1+2 (1979)
  • 1978 The Jordan Chance (TV movie)
  • 1978 The Bastard (TV movie)
  • 1978 Tomorrow Never Comes
  • 1977 Harold Robbins’ 79 Park Avenue (TV mini-series)
  • 1976-1977 Kingston: Confidential (TV series), 14 episodes
  • 1977 Godzilla
  • 1976 Mallory: Circumstantial Evidence (TV movie)
  • 1967-1975 Ironside (TV series), 196 episodes
  • 1973 Portrait: A Man Whose Name Was John (TV movie)
  • 1972 The Bold Ones: The New Doctors (TV series) – Five Days in the Death of Sgt. Brown: Part II (1972)
  • 1963-1970 The Red Skelton Hour (TV series) – Freddie’s Desperate Hour (1970), The Magic Act (1970), Appleby’s Soul (1965), Disorder in the Court (1964), Episode #13.10 (1963)
  • 1968 P.J.
  • 1968 It Takes a Thief (TV series) – A Thief Is a Thief (1968)
  • 1957-1966 Perry Mason (TV series), 271 episodes
  • 1961 The Jack Benny Program (TV series) – Jack on Trial for Murder (1961)
  • 1960 Joyful Hour (TV movie)
  • 1960 Desire in the Dust
  • 1960 The Christophers (TV series) – Joyful Hour (1960)
  • 1957 Playhouse 90 (TV series) – Lone Woman (1957), The Greer Case (1957)
  • 1957 Affair in Havana
  • 1957 The Web (TV series) – No Escape (1957)
  • 1957 Undercurrent (TV series) – No Escape (1957)
  • 1957 Crime of Passion
  • 1956 Ride the High Iron (TV movie)
  • 1956 The Brass Legend
  • 1956 Climax! (TV series) – Savage Portrait (1956), The Shadow of Evil (1956), The Sound of Silence (1956)
  • 1954-1956 Lux Video Theatre (TV series) – Flamingo Road (1956), The Web (1955), Shall Not Perish (1954), A Place in the Sun (1954)
  • 1956 A Cry in the Night
  • 1956 Secret of Treasure Mountain
  • 1956 Great Day in the Morning
  • 1956 Godzilla, King of the Monsters!
  • 1956 Celebrity Playhouse (TV series) – No Escape (1956)
  • 1956 Please Murder Me
  • 1956 The Star and the Story (TV series) – The Force of Circumstance (1956)
  • 1954-1956 The Ford Television Theatre (TV series) – Man Without a Fear (1956), The Fugitives (1954)
  • 1956 Chevron Hall of Stars (TV series) – The Lone Hand (1956)
  • 1955 The 20th Century-Fox Hour (TV series) – The Ox-Bow Incident (1955)
  • 1955 Count Three and Pray
  • 1955 A Man Alone
  • 1955 You’re Never Too Young
  • 1955 Schlitz Playhouse (TV series) – The Ordeal of Dr. Sutton (1955)
  • 1954 They Were So Young
  • 1954 Passion
  • 1954 Thunder Pass
  • 1954 Khyber Patrol
  • 1954 Rear Window
  • 1954 Gorilla at Large
  • 1954 Mr. & Mrs. North (TV series) – Murder for Sale (1954)
  • 1954 Casanova’s Big Night
  • 1953 Four Star Playhouse (TV series) – The Room (1953)
  • 1953 Fort Algiers
  • 1953 Tarzan and the She-Devil
  • 1953 Serpent of the Nile
  • 1953 The Blue Gardenia
  • 1953 The Bandits of Corsica
  • 1953 Your Favorite Story (TV series) – How Much Land Does a Man Need? (1953)
  • 1953 Tales of Tomorrow (TV series) – The Mask of Medusa (1953)
  • 1951-1952 Family Theatre (TV series) – A Star Shall Rise (1952), That I May See (1951), Triumphant Hour
  • 1952 Horizons West
  • 1952 Gruen Guild Theater (TV series) – Face Value (1952), The Leather Coat (1952), The Tiger (1952)
  • 1952 The Unexpected (TV series) – The Magnificent Lie (1952)
  • 1952 Mara Maru
  • 1952 Rebound (TV series) – The Wreck (1952), Joker’s Wild (1952)
  • 1951 Meet Danny Wilson
  • 1951 Chesterfield Sound Off Time (TV series) – Dragnet: The Human Bomb (1951)
  • 1951 Dragnet (TV series) – The Human Bomb (1951)
  • 1951 FBI Girl
  • 1951 Bride of the Gorilla
  • 1951 The Magic Carpet
  • 1951 The Whip Hand
  • 1951 His Kind of Woman
  • 1951 A Place in the Sun
  • 1951 New Mexico
  • 1951 Stars Over Hollywood (TV series) – Pearls from Paris (1951), Prison Doctor (1951)
  • 1951 M
  • 1951 The Amazing Mr. Malone (TV series) – Premiere (1951)
  • 1951 The Bigelow Theatre (TV series) – Big Hello (1951)
  • 1950 Borderline
  • 1950 Key to the City
  • 1950 Unmasked
  • 1949 Love Happy
  • 1949 Abandoned
  • 1949 Red Light
  • 1949 Black Magic
  • 1949 Criss Cross
  • 1949 Bride of Vengeance
  • 1948 Adventures of Don Juan
  • 1948 Walk a Crooked Mile
  • 1948 Station West
  • 1948 Pitfall
  • 1948 Raw Deal
  • 1948 Fighting Father Dunne
  • 1948 Ruthless
  • 1948 Sleep, My Love
  • 1948 I Love Trouble
  • 1947 Desperate
  • 1947 Code of the West
  • 1946 San Quentin
  • 1946 Without Reservations
  • 1940 Earl of Puddlestone

Availability:

  • DVD: Airplane II, Borderline, The Brass Legend, Bride of the Gorilla, Centennial, Crime of Passion, Fort Algiers, Godzilla, Ironside, Ironside TV movie, M, Passion, Perry Mason TV series, Perry Mason Returns, Pitfall, A Place in the Sun, Please Murder Me, Rear Window
  • VHS: Jack Benny Program, Perry Mason TV series, Perry Mason TV movies
  • Internet: The Curse of King Tut’s Tomb, I Love Trouble, Please Murder Me

Personal recommendations (in alphabetical order):

  • Bride of the Gorilla, 1951
  • The Curse of King Tut’s Tomb, 1980
  • Dragnet (TV series) – The Human Bomb (1951)
  • The Ford Television Theatre (TV series) – Man Without a Fear (1956), The Fugitives (1954)
  • Ironside (TV series), 1967-75
  • Perry Mason (TV series), 1957-66
  • Perry Mason (TV movies), 1985-94
  • Please Murder Me, 1956
  • Rear Window, 1954

Sources for more on Raymond Burr:

Della Street

Everyone who knows me is aware of this: I’m a big fan of Della Street. I have been for many years, ever since I was a kid and watched the Perry Mason TV movies until my grandma introduced me to the original show from the 1950s and 60s. That’s when I liked her even more, for her skills, her style, her elegance. She’s the epitomized girl Friday who was brought to life by Helen Trenholme, Claire Dodd, Genevieve Tobin, June Travis and Ann Dvorak in the 1930s, by Gertrude Warner, Jan Miner and Joan Alexander from the mid 40s to 50s, and ultimately by my favorite, Barbara Hale, in the classic TV show and movies.

Created by Erle Stanley Gardner in 1933, Della Street entered the scene along with her famous boss, attorney-at-law Perry Mason in The Case of the Velvet Claws. Included from the first novel on, Della was a little feistier upon introduction, but every bit as skillful and loyal as in the following eighty-one whodunits. It was made clear from the start that Della had quite an influence on Perry, that their relationship ran a little deeper than that of an employer and his confidential secretary. Always supported by their friend, private eye Paul Drake, their cases took center stage however and the couple never went beyond an ardent kiss. Proposing to her a couple of times, Perry Mason was generally turned down by his irreplaceable office pearl  who understood that he wasn’t the type to settle down, nor was she willing to spend her life without him in a large home as a housewife and mother. So she stuck it out with him through hundreds of cases in the books and movies, on radio and finally on TV.

Always a little altered in the adaptations, Della remained steadfast, pretty and faithful to her boss and got marry to him once in Warner Brother’s very free version of The Case of the Velvet Claws in 1936. In general, Della Street was quite sassy in the Perry Mason films of the 1930s and frequently involved in taking flight from the police on radio a decade later. With television being a more conservative medium in the late 1950s, Barbara Hale did not get to flirt with Raymond Burr’s Perry as much as her predecessors, but thanks to their on screen chemistry and her intuitive acting, the seething romance between Della and Perry continued in the hearts and heads of many Perry Mason fans until a kiss in 1993′s The Case of the Telltale Talk Show Host finally confirmed their relationship.

Never described as anything but beautiful in Gardner’s original books, Della Street donned platinum hair and brunette curls, as well as alluring outfits that were appropriate for the office. As the Della Street who’s left a lasting impression on her audience, Barbara Hale wore outfits that were typical of the time between 1957 and 66: figure-hugging, feminine and always covering her knees. Upon the insistence of executive producer Gail Patrick Jackson, Della did not follow every trend when the 60s introduced new hemlines every year and thus stressed the classy elegance Ms. Hale had established for her TV alias. With her limited collection of clothes, Della often changed her outfits by combining her blouse or sweater with another skirt. Her trademark look can be pinned down to waist shirt dresses (including one with her embroidered initials), pencil skirts, cardigans and blouses that embellished her neck with a bow. In the first season, Della was also constantly running around on mules which she later replaced with a classy pair of heels. As an accessory, Della often wore a pearl necklace or a charm bracelet on her left wrist while her little finger frequently showed the presence of a simple ring, matching her boss’ on his own hand. From time to time, Della was also seen wearing a necklace with a pendant showing her initials, long before Carrie Bradshaw made it fashionable for a whole new generation.

In the 1980s, Barbara Hale returned to TV with her longtime screen partner Raymond Burr and continued the tradition of presenting Della as efficient, warmhearted and dressed to the nines. Again, following contemporary but conservative fashion, Della combined over-knee skirts with stylish boots, turtleneck sweaters, blazer jackets and two layers of pearls. Without changing her hair as much as on the original show (while avoiding the beehive), Della Street kept her cropped, practical curls which added credibility to the on-screen depiction of Perry Mason’s tireless associate.

Today, Della’s look can be re-examined on DVD and copied thanks to the many vintage stores and new designs that are inspired by more graceful times. With a circle skirt and scarf, a classy faux vintage suit or classy heels, it’s easy to feel as sophisticated and charming as Della Street. Add a full head of curls, matching intimates and a petticoat to your outfit and you’ll perfect the sentiment. From where I’m standing it is worth the effort, paying tribute to a character many real life secretaries still love to look at for inspiration.

Bride of the Gorilla

Talkie of the Week: Bride of the Gorilla

USA 1951, 70 minutes, black & white, Realart Pictures. Director: Curt Siodmak, Written by Curt Siodmak. Cast: Raymond Burr, Barbara Payton, Tom Conway, Lon Chaney Jr., Paul Cavanagh, Gisela Werbisek, Carol Varga, Paul Maxey, Woody Strode, Martin Garralaga, Felippa Rock, Moyna MacGill

Plot summary: Plantation manager Barbey Charvez kills his boss to marry his beautiful wife Dina and gets cursed for it by a native witch.

Review: Bride of the Gorilla – the title may already suggest it – is a B movie from the early 1950s. Blessed with a decent overall cast, the film stands out for its silly but entertaining plot. Raymond Burr leaves a lasting impression with his portrayal of Barney Charvez, a plantation manager who leaves little to the imagination about his intentions towards his employer’s wife, Dina Van Gelder. Married to an older man, Dina feels lonely and neglected in the middle of nowhere, bored in her husband’s large house which is surrounded by miles of South American jungle. Suggestive in her reaction to Barney’s advances, she causes a fight between her sick husband and a young and boisterous Charvez who ultimately gives into a sudden impulse of killing his boss. Observed by a native witch, Barney gets away with murder when the police is unable to convict him but is cursed to turn into the beast he proved to be when he took Klaas Van Gelder’s life. Unaware of what’s really happening to him, he roams the jungle at nighttime and is haunted by the experience of being a gorilla during the day. When he finally craves the jungle more than his newlywed wife, Barney faces his own demise as Dina is trying to stop him from running away.

Although the storyline may not sound worthwhile, the movie is fun to watch. Bride of the Gorilla is not the kind of film that will will leave an emotional imprint on your heart, nor will it blow you away with its surprising plot – but it will divert you and make you laugh. It will relax you despite (or rather thanks to?!) its righteous ending. And truth be told, Bride of the Gorilla is particularly enjoyable for anyone who’s fond of Raymond Burr. Barbara Payton and ex-Falcon Tom Conway also deliver neat performances, it is Burr’s seething aggressiveness, however, that makes this film better than expected. With his introverted emotions and impressive physicality, he easily turns this film into a guilty pleasure – just watch him enter at the end of the second minute and you’ll see what I mean. For his screen presence alone this film is a must-see, at least for anyone who’s ever wanted to savor a very different side of TV’s Perry Mason.

Available on youtube in public domain.